The chapel dedicated to s. Matthew is a granite building, rectangular plant oriented Southeast\/Northwest. The front facade has a simple rectangular portal and in the elongation of the gable boasts a Bell Tower crowned by a Celtic Cross. Within stands, at the head, the main altar in carved and painted with Golden motifs, which houses religious imaginary.

Romanesque chapel, rebuilt in the 16th century on an ancient temple built between the 12th and 13th century. Features a Bell Tower and diagonal buttresses that support a starry dome of coverage. The altar is covered the hispano-Moorish edge tile. The primitive Temple exists the portal, flanked by two inscriptions identifying the periods of construction and reconstruction.

A 16th century temple, it underwent significant changes in the 18th century. The "rocaille" facade features two towers and a Manueline portal. It has a precious set of tile panels from the 18th century: the chancel chest (Ascension), tympanum (Resurrection) and chancel (Saint James fighting the Moors, the battle of Lepanto and scenes from the Gospel).

Chapel of popular architecture, being modest and with thick masonry plastered. It is prized by two portals carved in white marble and protruding rope type door jambs. Note also the frescoes from the 17th century and beginning of the 19th century in the vault of the chancel. It is also known as the Lord's Chapel of Senhor dos Passos or Wounds.

Baroque church dating from the 13th century, consisting of a rectangular nave, a chancel with vestry foursquare, an attachment and a baptistery. The main façade in gable is truncated with a Bell and a double arch portal with regular staves. In the interior, highlighted by the Mannerist and Baroque carved altarpieces of Johannine style. It was built in the 13th century and rebuilt in the 16th century.

Built between the 14th and 16th centuries, this Cathedral has two portals, one Gothic and the other Manueline. There are two octagonal bell towers, gargoyles and pinnacles on the outside, an altarpiece by João Ruão, columns, the chapel of Pinas and chairs. Due to successive reconstructions, it presents several different styles that marked the 14th and 15th centuries.

It is a mixture of architectural styles, the result of the amount of times it has been restored. You can visit the Gothic cloister and the treasury, with a very varied collection of silver objects, ecclesiastical vestments, images, manuscripts and relics related to São Vicente. On the outside, the façade stands out, with a porch and portal with four primitive Romanesque archivolts.

Where formerly operated the olive growers cooperative, is now the Alentejo Màrmoris & Hotel Spa. The hotel, decorated by architect Miguel Câncio Martins, stands out for its grandeur. As the name suggests, is the marble that prevails, given that this hotel belongs to a family that is dedicated to this business for generations. The restaurant focuses on regional flavours, Narcissus at the touch of the chef Pedro Mendes. In the cellar, plus there are digestive cigars. The Stone spa are various treatments, hot and cold baths and hammam.

The space of the Solar do Bacalhau restaurant is huge and occupies an old name of gastronomic reference in Coimbra. From a famous Italian, it has become a traditional one also famous where, now, cod is king, here served in its most diverse forms: in onions, cooked with everyone, roasted or on bread. But there is life beyond cod. The sirloin steak with mustard sauce is proof of this, as well as the offer of pizzas that, although unlikely in a restaurant of this kind, are delicious.

The restaurant Bola de Prata, on guard, reopened in 2013, with a new approach. From traditional snack bar is assumed now with a modern Tavern, with traditional dishes and good snacks. Gizzards, woodpecker, blood sausage and pig ear Guard are some of the options to consider. If you choose the ordinaries (6,50 €, with entrees, soup, main, dessert and coffee), the right choice is the posta mirandesa. In the cold winter days beirão can rely on the warmth of the fireplace.