This temple was reconstructed on the 17th century and it still conserves some fifteen hundreds elements and others posteriors to 1755. The interior is covered with a cradle vault. It is worth to mention the two holly water fonts from the 16th century and the glazed tiles from the 17th century.

From the primitive church it has only kept the decorative elements existing on the behead modillions. The present façade and the bell ringer tower were built on the second half of the 16th century. The defensive tower placed next to the church is from the end of the Middle age.

This temple has one only nave to which it opens four lateral chapels. The main chapel, with the walls covered by glazed tiles panels from the sixteen hundreds, possesses a carved altarpiece from the 17th century. It is also worthy to mention the baptism chapel.

The façade displays some traces from a Romanic doorway which panels are ornate by two pigeons. The inside has one only nave standing out the baptismal font that has it origins on the fifteen hundreds period, the pulpit and the image from Santa Maria.

In this monument stands out the Glazed tiles in “pattern” and “carpet” type, a fifteen hundreds pulpit in marble, a stone sculpture from the 15th century, the image of the Virgin dated from the 16th century, the altarpiece in baroque tile and the column in circle font laying in a pilaster.

This construction is from 1490 and has Diogo Boitaca signature. This is a highly important work on the Portuguese architectonic history; hence it is one of the first constructions to present Manueline architecture features. To stand out the main chapel and the glazed tiles revetment from various periods.

This street is filled with old houses with wooden balustrade balconies. D. João I padrão (a large stone cross with the Kings Coat of Arms) dated from the XVI century stands out, as well as the São Domingos Order dated from the 19th century.

Located at few meters from the lighthouse and the rough landscape resulting from the eruption of the volcano, this natural pool can be a complement to who move to the area of Capelinhos. Take a shower while you enjoy this very characteristic landscape is both a relaxing and invigorating activity.

Placed at the residence/atelier of José Malhoa, this house-museum, art-nouveau style, owes its name to Anastácio Gonçalves, famous Portuguese art collector from the meadle of the XX century. It exhibits a collection of Portuguese paintings from the XIX and XX centuries that includes, namely, works of Columbano, Malhoa and Silva Porto. Also in exhibition are chinese porcelains from the XVII and XVIII centuries, furniture and ceramics, among other collection.

The Ibis Evora hotel is situated 700 metres from the Centre of Évora, opposite the municipal park and close to the arenas. Just five minutes from the historic center, deemed a world heritage site by UNESCO, is ideal for a visit to the nearby Roman temple or the megalithic sites, 12 kilometers from the city. It has 87 rooms, bar with terrace and snack service 12:0 am, free parking and free Wi-Fi.