Opened in October 2001, this infrastructure is ready to receive athletes from various disciplines and at all levels of competition, constituting one of the major stakes of the municipality. Represents an important step in terms of qualification supply, contributing to the creation of a new "tourist product", the sports tourism. Consists of a football stadium with a capacity of 1700 spectators, a training camp and a Sports Pavilion. It also includes tennis courts, u

Urban Palace with two floors, whose original construction dates from the 15th century. After being badly damaged by the earthquake of 1755, it was rebuilt between 1835 and 1836, settling here the Judicial Court of judicial district. In 1841, part of the building became the National Theatre, later called Teatro Virginia. Currently, it houses the headquarters of the Association of Defense of heritage and the band Torrejana Workers.

Is a temple of three naves with wooden cover to form cross with the ribs painted, separated by arches full on pillars of quadrangular section. The choir-high is about pilasters, with wooden balusters and subcoro painted with representation of hell, celestial Court and others. Enhancement for the altarpiece in talha, from 1719. It should be noted that the classification includes all elements that are part of the set of sanctuary of pilgrimage and the place in which they deploy.

Building formed by two separate volumes with different eras of construction: a 17TH century and another in the 18th century. The first presents a simple facade, in granite, with Renaissance-style balcony. The second displays a door with coat and six Windows of the facade, all of apron. The House has a 17th century chapel located near the second body. In this temple stands the Mannerist portal with the coat of arms of the Bishop of Porto.

The early church was built in the 16th century, which remains the Manueline portal. In 1970 was destroyed to make way for that today. The façade is rounded and consists of nave, chancel, belfry and vestry. Inside you can see 17TH century tiles and a wooden bench at the entrance, 1635, rebuilt during the rebuilding of the new Church. Currently, in late August, receives the feasts of Nossa Senhora do Desterro.

The construction of this building started in 1520 and lasted until the end of the century. The project is due to John Lee, the younger. Is one of the most interesting works of civil architecture of the time. The façade, facing the square, is formed by two balconies alpendradas with columns that are based on carved lavishly arched colonnades of arches of volta redonda. The encimar facade is a triangular pediment. On the West side, the granite portal, with various sculptures.

Despite being a Hermitage of medieval construction, reconstruction is expression chã, but was careful to keep the base structure. The chancel was renovated and became more narrow. The main façade, surmounted by a Latin cross, is torn by round arch portal and has small Windows on the sides. The interior features three sections defined with pillars that divide the 2 ships, one being quite narrow, unique feature in this region.

The main façade stands over a landing where one arrives from a stairway, under which there is passing water. One should notice the three stonework portals with a straight rod in architrave, the taller middle one, with an interrupted triangular gable, a cruxifix and forged iron gratings. Inside, one should pay close attention to the sculptured panel and to the side walls with blue painted wood.

Enlarged and remodeled in the 18th century, the Romanesque elements remaining in this church point a chronology right for your edification late, which will probably occurred between the 13th and 14th centuries. Medieval construction kept the main portal primitive, consisting of two slightly broken and archivolts supported by columns with capitals, whose sculpture is well attached to the basket. This season, also preserved an arcosolium, the outside of the south wall.

Located on the south bank of the Tâmega River and bordering Santa Maria de Sobretâmega, the Church of São Nicolau, next to the old Canaveses Bridge, displays a late design within the context of Portuguese Romanesque architecture, evident in its column-less, capital-less portals and plain corbels. This church preserves, though very fragmented, important remains of mural painting from the 16th and 17th centuries.