This church was built on the 16th century, probably on the same location were previously already existed another temple. It stands out several paintings, such as the ones on the sacristy and on the naves, proceeding from the main altarpiece in the Holly Church, the sixteen hundreds glazed tiles and carving altarpieces.

This Renaissance and Baroque church is composed by three naves, a main chapel and two bell towers in square plan and pyramidal coverage. It is worthy to mention the glazed tiles panels, some of which with religious themes and others representing the legend of Our Lady of Piedade (Forgiveness) and the bullock.

This is a mannerist and baroque church dated from the 16th century. It is composed by a longitudinal plan with three naves in four ranks and a narrower main chapel. On the inside it is worth to mention two graves with coat of Arms, one is from the 17th century and the other from the 19th century.

This is a mannerist and revivalist church, with a longitudinal plan and composed by one only nave, a narrower main chapel and an attached sacristy. It was rather changed during the reforms that took place on the 19th and 20th centuries, maintaining from the original construction (previous to the 14th century) the sacristy window.

Mannerist Church of longitudinal plant consisting of a nave and a chancel, with a rectangular annex adossado and a small rectangular body. The main facade is Freestone and ends in Gable, featuring a double and Bell being torn by a straight Dick portal. It was built in the 16th century and renovated in the 17th century.

A convent founded in 1590 by command of a noble dame of Bragança, that occupies the houses that belonged to her. The stone coats of arms in the façade of the church are still visible. A special note to the domed nave's ceiling, with paintings by Manuel Caetano Fortuna, and the main chapel with a retable of 1721 and the ceiling.

Located at the downtown historic centre, the São Bartolomeu Church has, inside, golden woodcarving retables, a painting describing the martyrdom of S. Lourenço, among other valuable works. The main front is sided by two bell towers, giving the building the look of a small See.

The present temple is the result of the 17th and 18th centuries reconstructions. The main façade is preceded by a porch with three arches. On the interior, in Lation cross little pronounced it stands out the rococo golden carving from the altars and the seating from the 17th century with painted rib stalls.

Reconstructed by the end of the 18th century or beginning of the 19th, it still preserves some remains from the fifteen hundreds construction in the pyramid that crowns the bell ringer tower. On the interior it stands out the barrel vault and the main chapel with glazed tiles covers from the 17th century.

Manueline church with a longitudinal plan, characteristic of small temples in Baixo Alentejo during the reign of King Manuel I. Highlights include the plastic quality of the main portal and the arched cross vaults with stonework keys and corbels, in one of which the cross is inserted of the Order of Santiago.