The rice Museum Restaurant opened its doors in June 1996, on the premises of the former rice hulling factory gate. Been closed some time to restructure the building, having reopened with an excellent terrace area overlooking the rice paddies. This reform was still created a zone of mezzanine overlooking the living room, which in the summer season gets sushi and the rest of the year can be used as a private area for groups up to 40 people.

Miguel Kingdom became famous on the Beach Caught in Oakwood, with its Fish Here, where all that came from the sea had the seal of guarantee for the freshness but also the transformation operated in the kitchen. Now in Lisbon, lost the Sea scenario but maintained the tradition of well serve. The specialities, for input, are the clams to Bouillon and Duck salad with eggs, while more substantial us will find black cuttlefish rice and sea bass to the fisherman. Finally, there's the delicious desserts of Mafalda.

With inspiration in the Portuguese gastronomic roots, but adapted to contemporaneity of current cuisine, the restaurant offers various proposals by Inevitable of Chef Francisco Ferreira, who will surprise lovers of Portuguese cuisine. With a sober and elegant decoration, which transports us to the refinement of a 15th-century palace, now fully recovered, with a privileged location next to Marginal and splendid views over the Tagus River, the Inevitable restaurant presents itself as the ideal place for a relaxed lunch or dinner and unobtrusive lively conviviality.

Working composed by the church body, single nave, transept and main chapel, vestry, annex and conventual rooms. At the main chapel stands out the rococo carved retable, semicircular vault with perspective painted wood ceiling, representing Nossa Senhora do Carmo and a set of four paintings from José Rasquinho, representing the life of Santo Elias. At the Convent stands out the main façade, with three bodies, three panes delimited by pilasters, angles and ashlar mansonry cyma, with three interspaces for each floor.

The church, a fifteen hundreds foundation was remodelled on the 17th century. It presents a “pattern” glazed tiles panel, the pulpit and the barrel ceiling with empty coffers. From the medieval period stands out the ogival arches from the transept chapels recovered with glazed tiles from the 17th century and two Gothic tombstones. It also stands out two holly water fonts, both of them from the fifteen hundreds. From the Gospel side there is one chapel dedicated to Our Lady of Rosário with golden carving altarpieces.

Church probably built in the 13th century or 14TH CENTURY, consisting of a longitudinal plan with two juxtaposed rectangles, divided into a nave and a chancel lower and narrow. This temple features, on the façade, the portal with ridged and Romanesque rosacea imposed and, laterally, a port also Romanesque. Here he married the infanta d. Maria, daughter of d. Afonso IV.

Manueline chapel dated from the XVI century, of which remains the ogival arch of the transept. In 1554 the principal chapel was covered with Azulejo Sevilhano (glazed tile) and the body of the church, as well as the portal were repaired. In the XII century the retable and the pulpit were built. Later, in the XVIII century the collateral retables and the wood ceiling were placed.

On the main facade of this church, stands a Manueline portal of Arch of carena. The interior is of a ship, 1468-lined and covered with roof of mixer painted. The chancel is of the late 18th century, and here, a large canvas of Pedro Alexandrino, "Supper", in 1802. In the chapel of Santo António, flooring tile "carpet" and the Tabernacle of the altar in carved 17TH century, overlaid by a crucifix in ivory.

This Romanesque Church testimonies were dated as being from the second half of the 13th century or even in the 14th century, while the Romanesque's testimony of resistance, or even our rural Gothic. The main portal is adorned on grounds of pearls, drawing parallels with other buildings of the same period and territory. Along the modern age suffered various transformations.

The Romanesque church of the monastery of Pombeiro was one of the few in Portugal to obey the plan of three naves, which reveals the importance of this House in the medieval context of the country. Over time, Pombeiro became head of the land of Shah, arriving to take under its patronage 37 parishes. This Romanesque period only the two absidíolos and the main portal, four archivolts.