The chapel, which burned in 1895, has very simple lines, with a masonry portal and an opening on the fronton, composed of a high altar and a sacristy. Two different architectural modules can be viewd here. Inside, one can find a John Paul II tile of the 1980s and a Saint Peter of the 18th century.

The Main Church of São João da Pesqueira continues to preserve some medieval features, especially in the main portal with its pointed arch. Inside this temple, whose construction dates back to the 14th century, the baroque main altarpiece and the 17th century paneled covering of the nave ceiling stand out.

16th century temple with three naves, with a portal with a pointed arch and carved capitals and a rose window with sculptures on the facade. Highlights include the 17th century tiles and the historic panels from the 18th century, the four limestone altars from the 16th century and the seven 16th century tablets by the master of Sardoal.

The chapel of Saint Barbara, whose construction will reassemble to the eighteenth century, there is the beautiful Baroque façade, with an imposing rectangular portal, the frame of the doorway is in granite worked with volutes. On top has a small kiosk, richly decorated and crafted, which houses a sculpture of Santa Bárbara. The façade is surmounted by the arms of sheep and Queirogas.

Romanic church from the last quarter of the XII century. The temple, with three naves, was sacred in 1206. It suffered transformations on the XVI, XVIII and XIX centuries. Outside the eye-window and the portal with columns and decorated capitals stand out. Inside are worthy of notice the retable at the main-chapel and the gothic portico of the chapel.

16th century temple with three naves, separated by pointed diaphragm arches, where a magnificent Manueline portal with a serrated arch flanked by twisted columns stands out on the main facade. The interior, also Manueline, is enriched with some modern elements, such as the Renaissance pulpit and the 18th century tiles in the main chapel.

The body of the monument was built in the 16th century and the façade has a baroque portal with pseudo-salomonic columns and frontons with rolled parts. The interior is divided into three naves by polygonal columns that support arches. A special note to the high chapel and to the chapel of the Figueiredos, the retable of Saint Estevão and the image of Saint Mary Magdalene.

This is a church from the 1500s that was completely rebuilt during the 18th century. Planned by Nasoni, it features a sober construction with the portal ended by an outstanding arch. The façade is sided by a bell tower. The south tower has a belfry that was added on the second half of the 19th century. Worthy of notice are the lateral doors of the main chapel.

Romanesque church with a single nave, highlighting the main facade with a truncated gable, portal with archivolts decorated with phytomorphic and geometric motifs and a profusely decorated tympanum. In the nave there is a small museum nucleus where there are fragments of the pillory of Ansiães and sepulchral stelae decorated with solar symbols, Maltese and Templar crosses and Jewish stars.

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