Deeply altered in the Modern Age, the Church of São Cristóvão, in the former municipality of Nogueira, is structurally a medieval, late Romanesque building, from which the axial portal and, on the sides, corbels, cornices, and frieze sections survive. Inside, the work of the main altarpiece and collateral altarpieces is notable, although most of this integrated heritage has been profoundly altered by recent interventions.

In this church constructed in 1496, it stands out the main façade sided by bell towers from the 17th century, presenting a magnificent Manueline doorway, laced and sculpted work done by João de Ruão. The interior presents three naves with wooden ceilings, separated by four round arches. On the transept chapels it stands out the golden carving and the coffered vaults.

Construction ordered by the grandfather of the Marquês de Pombal, it is a palace from the XVII century with improvements made between 1760 and 1770. Besides its architectonical and artistic value, it also has the historic importance of being the birth place and house of the Marquês de Pombal. Its two main façades envelop an interior garden. There are two large gates facing north.

From the fifteen hundreds period, the church still preserves the Manueline door, with slender columns and decoration using vegan elements. The inside has one only nave with tunnel ceiling with painted coffers. It should be mentioned the altarpiece on the main altar from the 17th century and the glazed tiles cover. The Calvary, placed in the church yard is from the 17th century, as well.

This church is located in the main square of Salvaterra de Magos, with construction beginning in 1296 and undergoing several subsequent renovations. In the former sacristy, one of the tile panels bears a cartouche with the date 1725. Inside, one of the naves has a false wooden vaulted ceiling with a painting depicting its patron saint, Saint Paul, rising to heaven, guarded by a group of angels.

Architecture of religious type, composed of narthex, nave, chancel, vestry, sanitary installation and a Division wide parallel to the nave of the Church. The facade is of simple lines, with some shots in granite and other yellow and the Bell Tower, also added in the 18th century. A small reminder to the main altarpiece with 18th-century painting from the center that dates back to the 18th century

A 16th-century church, rebuilt in the 18th century after the 1755 earthquake. It features a Renaissance portal, and its interior is extremely simple, with a single nave and a triumphal arch. The altarpiece in the main chapel, a polychrome woodwork decorated with gilded Baroque carvings, is noteworthy. One of the church's wings currently houses the Monsenhor Manuel Francisco Pardal Museum of Sacred Art.

The church dates back to the 17th century, with a single nave and a façade in Joanine Baroque style. Inside, the images and ceiling of the main altar stand out, with 36 paintings of saints and other sanctified symbols of martyrs from the early church. The oil paintings, by master Jerónimo da Cunha, date from the 18th century. Also, noteworthy is the gilded carving.

These two tombs from the fifteen hundreds are located on the wall and on the pavement inside the main chapel from the church of Pombeiro. One on the tombs is from Mateus da Cunha, from the XVI century with a Manueline style and which construction is ascribed to Diogo Pires-o-Moço; the other tomb is from Vão da Cunha, prior of Martinho de S. Guinhêda.

Are farms that form a kind of high on the hillside Amphitheater high scenic character, bounded by natural elements or built up. Has plantation of vineyards, orchard and vegetable garden. The cores are built at the Summit of Serro de Santo Aleixo. There is a Fifth of Serro, the main house a Casa do Caseiro House and Mills; in the warehouses of Mount mischievous, yet there are warehouses and Mills.