This religious monument consists of a three-bay nave, a chancel, side chapels, a sacristy, and a bell tower. The main façade consists of a rounded portal and a circular oculus, flanked by a bell tower, the upper one having a double bell tower. This façade features a window overlooking the Stations of the Cross. The interior features the baptistery, which houses the baptismal font, the Mannerist niche, the painted panels of the chancel and altarpiece, and the Christ the Redeemer statue on the tabernacle door.

Built between 1383 and 1410, it is a reference of the Gothic monumentality of the city, with an emphasis on the Romanesque portal with three arched gateways, the rosette symbolizing the Rosa Fortunae, the windows of the Manueline period and the three naves where the interior is divided, covered with gilded carving from the 17th and 18th centuries. It belonged to the Convent of the Observant Franciscans. The interior, of three naves, is highlighted by the 17th / 18th centuries carvings, frescoes and board in the main chapel, transept and sixteenth-century tombs.

This fortification was built in the 12th and 13th centuries and later expanded by King Dinis. During the Manueline period, some alterations were made, of which the portal that gave access to the drawbridge remains. It also preserves the alcazaba with its pentagonal-based keep, the Torre das Cinco Quinas (Tower of the Five Corners), protected by machicolations and turrets, and the ring of walls that surrounds the town. Of particular note are the thickness and height of the alcazaba's curtain walls and the existence of the barbican.

This church was founded in 1636 and it is an example from the sixteen hundreds architecture, with a plan in Latin cross, one only nave with lateral chapels, transept and ample main chapel. This last one displays coverage in barrel vault and elevations covered with blue and white glazed tiles, standing out the golden carved big altarpiece, with the throne and the sacrarium also in golden wood. The high choir is settled in three perfectly vaulted arches with balustrade. The lateral chapels are dedicated to Santa Quitéria, Santa Ana, Santíssimo Sacramento, Nossa Senhora do Rosário, Nossa Senhora de Soledade e …

This palace in castle shape has manifested Italian influences in the main body, which is a 16th century construction from where an elegant Renaissance loggia stands out on the frontage and on the shed galleys on the back door. It also stands out the fifteen hundreds stonework, the horseshoe windows semi – detached (Mudéjar), the frescoes from Moorish inspiration, the fountain and fresh garden house, the cylindrical small towers, besides several other traces from Gothic structures. This ensemble underwent several additions and changes throughout the centuries, distributing by different pavilions from different times. On the inside it is worth to …

In the heart of Lisbon, in the historic Largo do Carmo, Lisbon Carmo Hotel presents itself with a renewed aspect, but carefully thought out in order to maintain an identity as well. The 45 rooms at this 4-star superior, are classic and contemporary style, difficult to describe. Maria do Carmo restaurant emphasizes the regional flavors.

Also known as the field of gender equality, this place stands out for being one of the few traces of Hebrew island. In the first half of the 19th century, several Hebrew families emigrated from Morocco to third, existing at the time several synagogues. In 1832 it was acquired by the Hebrews of the island to here them burying their dead.

Very old watermill, but still working. This is a small house, built on a levada that take water directly to the mill. The levada has a gap of two or three meters, leaving the water through a nozzle-tube that carries water to the Caster. When the water comes out the mouthpiece, falls on the feathers of the caster, causing it to rotate.

This House with coat-built in the late 18th century stands out for its imposing façade of great decorative frugality. Access to the noble entry is made by a wide and elegant stairwell. Construction of two floors, features in each end a turret being the eave line of ornate pinnacles. Inside the Golden ceiling of the Hall.

Chapel with rectangular chancel and nave, where remains of the primitive moth, the columns with worked capitals and the vault of the chancel, edges, with carved bocetes. The main façade is preceded by a galilé alpendrada supported by columns. Inwardly stands out, in the chancel, the retable of gilt, laterally with Solomonic columns and arches supporting the Atlanteans of the dressing room.