This church was once a temple of the Friars of the Order of Saint Joseph of Jerusalem, and was later transferred to the Order of Malta. It subsequently underwent several renovations, resulting in a façade crowned by a crenellated bell tower, a portal flanked by four pairs of columns with decorated capitals and pointed arch archivolts. On the north façade, another portal stands out, with the Maltese Cross engraved on its tympanum.

Building built in the 11th century was restored between 1490 and 1510. It features a Manueline style with a naturalistic character, already influenced by the Renaissance. Inside, with three naves, the three altarpieces stand out, the main one from the 17th century and the secondary ones from the 16th century. Outside, the highlight is the door on the side wall, which has some Moorish influence.

The primitive church was constructed as a consequence from the Christian Reconquest on the half of the 13th century, being one of the oldest parish headquarters on the town. The structure and the character from the former Gothic church were deeply altered becoming the most important example from the Manueline style in Santarém. It stands out the Gothic doorway and the glazed tiles coverage from the 17th century.

This building has one only nave covered with tiles from the XVII century and rectangular main chapel which displays ashlars in tile topped by two painted panels from the XVII century with carving frames. In both sides there are the square towers with the bells. It should be pointed out that the classification includes the entire cover in tiles, carving and painted panels.

It is also known as independence Palace. Is a valuable copy of the seventeenth-century civil architecture, with 16th century roots, in which stands out the gate, South facade, framed and superimposed a balcony of balusters to guarnecerem the central window, overmatched by the arms of Almada. Inside are two patios, with 16th century portals, taking the bottom two chimneys also 16th century.

The church dates back to the 17th century, with a single nave and a façade in Joanine Baroque style. Inside, the images and ceiling of the main altar stand out, with 36 paintings of saints and other sanctified symbols of martyrs from the early church. The oil paintings, by master Jerónimo da Cunha, date from the 18th century. Also, noteworthy is the gilded carving.

The longitudinal nave is divided into three sections, from which the transept arms and the two towers of the façade stand out. The façade is imposing, marked by two symmetrical lateral bell towers. The nave has a full-round vault roof, and lighting is provided by the nave's large windows. The church's entrance portal, dating from 1755, is a meticulous Rococo piece.

Belonging to the Ancient Massif of Trás-os-Montes, this mountain is located in the extreme northwest of the national territory, between the Douro River and the Sabor River, rising to around 993 meters. The forest landscape has a predominance of pine and chestnut trees, interspersed with some cultivated spaces. The excellent viewpoints stand out: Pico de São Cristóvão and Alto da Castanheira.

Located on the north side of the Bay of Horta, just outside of town, Praia da Conceição stands out for its soft and dark sands and the beautiful location, with the Marina South and the no less imposing Pico Island on the horizon. Alagoa Park, adjacent to the beach, offers an indoor pool, picnic Park and tennis Park. A good way to relax and enjoy the surrounding countryside.

Located in downtown Lisbon, and having been once a dairy which retains the name, the restaurant Old Macedo presents a careful space, cozy and well lit, where the sympathy of Joseph and Richmond Barbosa make the difference. Among specials and á la carte, stand out the ham, cod broinha to Charity or the roasted pork shank, without forgetting the francesinhas.