This church is characterized by the main facade torn by a large portal, Windows, glasses and a quadrilobados niche concheado. Still show traces of the former convent of Benedictine nuns. This 19th century building. XVII, with baroque features in its interior, it has a façade with an embossed coat-of-arms and a niche with sculpture in Ançã stone, our Lady of grace. Inside, the ship's coverage with decorative painting in the neoclassical style, the chancel with 32 hagiographic themed caissons, with leading Apostles, martyrs, virgins, founders of religious orders, the Virgin and the respective parents. Deserves a closer look at the …

This temple served as the Cathedral when the Bishopric of Aveiro was created. Its construction began in 1600, by Gregório Lourenço. In 1608 the Casa do Despacho was completed, in 1623 the body of the church and main door and, in 1653, the chancel. In the 17th century, the altarpiece was placed and the interior was covered with Lisbon tiles. In the 18th century, the chancel was gilded and gilded carving was applied to the nave's valances. In 1767 the organ was built and almost a century later, in 1876, the façade was covered with tiles. In the 20th century, …

In the restaurant the House of the Grandfather, the tab, served à la carte, but the Menu of the Grandfather is undeniable. For 19.90 euros, you can enjoy a buffet of hot and cold appetizers, 30 a main dish (changes daily) and dessert or fruit, prepared by executive chef John Paul. The table is sick and the friendly service. Typical decoration does not disappoint. Among the delicacies of the Grandfather's House can find stuffed squids in the Algarve or fillets of monkfish sauteed with garlic, coriander and Virgin olive oil as well as confit duck breast with honey and almonds …

Amazing architectural point of view, the Pousada is the result of the joint between an exquisite 18TH-century palace, designed by the architect Nicolau Nasoni and classified national heritage in 1910, where the reception, restaurant, bar, business center, the main lobby and the lounges and meeting, and an old grinding millwhere are the generous and very comfortable 87 rooms, especially those overlooking the river and the Palace, as well as several meeting rooms and an inviting spa. The pool and the former boarding pier are an invitation he couldn't refuse for a late afternoon reinvigorating. Direct access to the river and …

Covas do Barroso Chapel, dedicated to our Lady of health, is a granite Temple of rectangular plant, East\/West-oriented. The main façade has a portal frame rectangular protruding, flanked by two square Windows, surmounted by an oculus, the gable is crowned by a cross. The back façade has docked on the wall, a plaque with inscriptions, partly illegible, "OLINGOABENEDIcTA\/QVEDOMINUM NO\/PER. ..DIXIST ...AL ...\/THE ... C..STI\/+ 1692 + "inside the high altar and two side altars, one of which has a beautiful altarpiece, painted, depicting St. Michael and the souls in purgatory. This is the chapel that are celebrated, among other things, …

The chapel of Vilarinho dry, dedicated to s. Paio, is deployed in a wide at the entrance, in the Northwest of the village. Granite Temple has a rectangular cover, on the main façade, flanked by two horizontal slots and surmounted by an oculus. The belfry, in the elongation of the gable, decorated with volutes is terminated by two pinnacles to skirt around a cross, the corners are complemented by pinnacles with ball. Inside this Chapel the granite of the walls contrasts with the high altar in gilt, which occupies the upper part of the wall of the headboard, where religious …

The construction of the Church of Atei probably dates back to the 14th century, featuring late Romanesque architecture. In the 16th century, a chapel was added to it, by order of the Counts of Cantanhede. Later, in the 19th century, other chapels and the main chapel were added to it, giving it its current appearance. Inside, the 19th century altars stand out, with gilded and painted carvings, in a neoclassical style. The collateral chapels, with a round arch opening topped with a fleur-de-lis, boast altars, in painted and gilded carving, dedicated, on the Epistle side, to Our Lady of Sorrows, …

The parish church of Bobadela, dedicated to the Archangel St. Michael, is a temple built in granite, longitudinal-oriented Southeast\/Northwest plant, with differentiated volumes where the chancel and the body of the Church; cumeeira is topped with a cross and triangular spires, with ball, shot the buttresses corners. The main façade, with a rectangular façade is surmounted by a telescope, which was put a clock, and shoots in simple pediment. The semi-detached Bell Tower, placed on the side of the Gospel, has two tears in ringers round arch housing two bells, complemented with a cross, flanked by two triangular pinnacles. Inside …

Although founded in 1594, it was only in 1690 that stood the current building, with the earthquake of 1755 did collapse at the dome ship, later reconstructed. Simple architecture, the temple was built according to the typology national tea, preceeded by a staircase of various heights with a decorative fountain. Inside, nave, chancel covered by a vault in caissons, and the main altarpiece, a good example of Baroque season d. Pedro II. Part of the estate of the Church two beautiful sculptures, a 15th-century Ançã stone represents a Holy Bishop, and the other, of wood, represents a Lady of sorrows …

The original monastery dates from the mid-9th century. The new church began to be rebuilt in the 16th century and was completed in the 18th century. The granite façade reflects a certain austerity, and the church has a single nave with an inscribed transept, a rectangular chancel, and bell towers, with the chapel and sacristy attached. Inside, noteworthy features include the main altar and the two altars in the transept, executed later than the building, in Maia Baroque style; the large upper choir with stalls supported on a wide, segmental arch and a Baroque organ; the barrel-vaulted ceiling forming coffers …