This palace in castle shape has manifested Italian influences in the main body, which is a 16th century construction from where an elegant Renaissance loggia stands out on the frontage and on the shed galleys on the back door. It also stands out the fifteen hundreds stonework, the horseshoe windows semi – detached (Mudéjar), the frescoes from Moorish inspiration, the fountain and fresh garden house, the cylindrical small towers, besides several other traces from Gothic structures. This ensemble underwent several additions and changes throughout the centuries, distributing by different pavilions from different times. On the inside it is worth to …

The few dozens South of Chapel of SR. dos Aflitos, in a sheltered, between the ribeira chã de Lamas of Miro and Corga of Hanged remain visible traces of old buildings. Are still evident several houses of rectangular plant and foursquare, in ruins, some of them with more than half a meter tall. Part of the structures were based on granitic outcropping. Access was made by a road coming from North empedrado. The plague is one of the reasons for the abandonment of this site, it is said that part of the inhabitants died and the remaining founded the village …

In the heart of Lisbon, in the historic Largo do Carmo, Lisbon Carmo Hotel presents itself with a renewed aspect, but carefully thought out in order to maintain an identity as well. The 45 rooms at this 4-star superior, are classic and contemporary style, difficult to describe. Maria do Carmo restaurant emphasizes the regional flavors.

It is a fortified manor house from the 15th century, rare in Portugal. The dependencies are organized around a central courtyard, with characteristics of military and residential architecture. The keep and some wall sections stand out. At the base, there is a cushioned ashlar from the Roman period. Above the portal of the castle-citadel are the coat of arms of the marquises of Alvito.

Very old watermill, but still working. This is a small house, built on a levada that take water directly to the mill. The levada has a gap of two or three meters, leaving the water through a nozzle-tube that carries water to the Caster. When the water comes out the mouthpiece, falls on the feathers of the caster, causing it to rotate.

This House with coat-built in the late 18th century stands out for its imposing façade of great decorative frugality. Access to the noble entry is made by a wide and elegant stairwell. Construction of two floors, features in each end a turret being the eave line of ornate pinnacles. Inside the Golden ceiling of the Hall.

Chapel with rectangular chancel and nave, where remains of the primitive moth, the columns with worked capitals and the vault of the chancel, edges, with carved bocetes. The main façade is preceded by a galilé alpendrada supported by columns. Inwardly stands out, in the chancel, the retable of gilt, laterally with Solomonic columns and arches supporting the Atlanteans of the dressing room.

The classification includes the fifteen hundreds filling from which we can stand out several works on the lateral chapels attributed to João de Ruão, the sacrarium from 1542 and the Mercy altarpiece dating from 1554. This temple suffered several changes since the 16th century until the 19th century.

This is a former male convent from the retired religious within the Order of Saint Francis, founded in 1527. In architectonic terms, the church underwent several transformations, mainly on the year 1725. On the inside the carved altarpieces stand out, brought by Seiça Convent and the high choir with life paintings from the Saint Patron life.

Plant with nave, main chapel, bell tower, vestry and Casa dos Milagres (house of miracles). Inside stands out the chapel of São João Baptista with golden carving retable and painted panel with Christ’s Baptism. At the house of miracles are worthy of notice the painted panels with the “Birth of the Virgin” and the “Presentation of the virgin in the temple”.