The original chapel was built in the late 17th century and was later renovated in the 19th and 20th centuries. Highlights include the side altarpieces and the image of Christ, purchased from the Santa Casa da Misericórdia and brought from the demolished Misericórdia Church.

Manueline architecture and Baroque church consists of a nave and a chancel with indoor coverage in vaults. The primitive construction, dating from the 12th century, was donated by d. Dinis to the order of the Trinity. The current building dates from the early 16TH century.

This museum displays permanent collections of archaeological remains from the Neolithic, Iron Age, Roman era, Middle Ages and Modern Era. The highlight is a sarcophagus from a Roman mausoleum found in the necropolis of the Church of Santa Maria de Finisterre.

Building from the 16th and 17th centuries with a Renaissance typology. It has a gardened churchyard, from which it is possible to glimpse a large surrounding area. The village's patron saint, Nossa Senhora da Assunção, gives the church its name.

Simple church, founded in 1655 by Dr. Sebastião Lopes Toscano. Temple with a single rectangular nave. The highlight is the tile composition from the 16th century. The altar has the image of Our Lady of Conception, in wood from the 16th century.

Manueline window from the beginning of the XVI century, originally from the Quinta do Castelo and reused during the works of the casa dos Pereiras in 1950’s. This window is characterized for its decorative richness that shows the influence of the Italian renaissance.

Church dating from the 18TH century, designed by the architect André Soares, crowned by two towers built in the mid-nineteenth century. The staircase balustrade and the altarpiece of the main Chapel, dating from the late 18th century, classic style.

Manueline church with popular characteristics at the Baixo Alentejo that keeps, from the original structure, the carved squared stones of the font and the portal. The remodelling of the temple, as well as the construction of the bell tower and the golden, polychrome carved retables, are from the XVIII century.

This baroque temple construction was ordered by the abbot Afonso de Meira Carrilho on the XVIII century. It stands out its sculpture from the Saviour, an oeuvre done by the Master João Alves, dated from the XIX century and for the baptismal font.

These are only fragments from the pillory which until half of the 19th century was in Largo de São João in front of the City Council house and next to the Chapel of São João and Cabo House. The others remnants from the pillory are missing.