Seventeenth-century House, with residential architecture, which features irregular L-shaped plant. The entry is made by yard. The second floor is 19th in wood and taipa. The reconstruction of this House was built in the 17th century. The main Division is the inscription with the date 1622 surrounded by inscriptions with human figures. You can see the ancient animal feed sinks and an oven in ruins on the terrace.

Granite Romanesque temple, probably dating back to the 13th century, whose name is related to a legend concerning the child saves the demon by Santo Amador and fueled by a DOE. On the façade, stands out the main portal in arch, topped by rosacea, and the side portals in arch with tympanum smooth. In the interior, especially the triumphal arch of two lintels arch and pointed arch.

Chapel dating from the mid-18th century, presenting a rectangular plant, a facade with a door of van straight framed between pilasters. Above the door is a window on the roof and polylobulated eyepiece, a small bell tower surmounted by a cross. In the interior, especially the barrel vault coverage painted with scenes from the life of Christ, and to the main altar, dedicated to the Lord Jesus Christ.

This House is dated 1755, the facade of this House is composed of three bodies divided by pilasters, and on the right, the chapel with choir-high and high altarpiece of gilt and polychrome, Rococo style. In the central part are nine spans of verga curve, complemented by shell motifs forming, the middle one, a balcony above the door. The eaves cornice and has largely rests, in half, the stone weapons.

Chapel dating from the 16TH century or 17TH CENTURY, with a main facade gable is terminated, at the top, with an ornate Bell with a small cross. Also features a straight Dick portal, flanked by a gap where a niche that houses a sculpture of Santa Ana, San Joaquin and our Lady Girl. Inside stands a gilded altarpiece, framed by two Solomonic columns.

The chapel in the village of Bostofrio, dedicated to São Marçal, is a building of rectangular plant oriented West\/East. On the main façade are multiple dates listed, testimony of the various interventions in the building. This façade, with rectangular façade boasts in the elongation of the gable a Bell Tower topped by a Latin cross. Within stands, bedside wall, the main altar in gilt, which houses religious imaginary.

The primitive foundation of the Church of Saint Pedro dates back to the 17th-18th centuries and has three naves with with an arch that stood on columns. Totally destroyed by the earthquake of 1755, only vestiges of the old portal on the facade remain. A special not to the high altar with a magnificent golden carved baroque retable and a painting that represents Saint Peter receiving the Heaven's Keys from Jesus.

The tradition of bullfights in Nazaré dates back at least to the 8th century, always connected to the celebrations of Our Lady of Nazaré. The square was constructed in 1891, after a violent fire destroyed the previous one. This space has a neo-moorish style and seats for 5000 spectators. Currently, during the summer months, Nazarwelcomes the best horsemen in the country in rather prestigious bullfights.

Inaugurated in 2005, with the aim of promoting and preserving the local culture, this space includes pieces of sacred art that were part of the Museum of Sacred Art of Gouveia, a small collection of Cardinal Mendes Belo and the stone of the Synagogue of Gouveia, dating from 1496. In the main room there is a small photo library with photographs of Gouveia from the 1930s and 1940s by João Carvalho and César Nogueira.

A church with a longitudinal plan and three manuelin style naves, with some gothic influence. Even though the typical structure and decoration are preserved in the main chapel, modifications of the 1800's are visible in the exterior, as well as even later modifications in the interior. One should notice the lateral wainscots and the triumphal arch with pattern tiles, dating back to the end of the 17th century.