It is a set of seven trapezoidal sarcophagi dating from the end of the Middle Ages, placed in the churchyard of the Parish Church of Mesão Frio. Each of them consists of a chest and a lid, two of which are uncovered, with the lid on the side, having a tomb cavity with anthropomorphic contours. Five of them have a lid with a polygonal section with six planes and the other two have a lid of a different type, with a pentagonal section and a gabled volume.

Small chapel dating back to the late 15th century or early 16th century. XVI. the portal, the final Gothic, has over stone of Royal arms. The interior is of a ship with a panelled vault, in which are visible the emblems of d. Leonor (shrimp) and d. João II (Pelican). We highlight the triumphal arch down, beveled edges and the chancel is covered by a panelled vault, with bocetes and, again, with the Royal Arms and the shrimp.

In this space, dating back to the 12th century, a special note to the main retable, the tubes organ, the magnificent set of chairs, located in the central nave, the sacristy, with tile covered walls, of the 17th century, paintings from the 1500s, namely the painting of Saint Peter, by Grão Vasco or Gaspar Vaz, both from the "School of Viseu", the granite statue of the Virgin with Jesus as a Child, of the 14th century, and the tomb of Dom Pedro.

This museum, dating from 1916, began to function on the premises of the Cathedral, and only in 1938 it moved to the Paço dos Três Escalões. Of the many pieces on display, we highlight paintings by Grão Vasco, from the Cathedral, the Episcopal Palace of Fontelo and churches and convents in the Beira region, as well as paintings by different contemporary artists. Furniture, sculptures, jewellery, Portuguese faience, textiles, oriental and archeology porcelain are also on display.

Placed at the Palácio Pimenta, a manor dated from the early XVIII century; in this space you may see archaeological pieces, paintings, drawings, engravings and lapidary that illustrate the city of Lisbon, since the prehistoric period till nowadays. Among the works in exhibition the “O Fado”, by José Malhoa and a oil-painting of Dirk Stoop stand out. The earthquake of 1755 is here shown with images of devastation and reconstruction projects.

The Monument to the Stolen Lord, dating from 1744, consists of an enclosure in the shape of an isosceles trapezoid, featuring a pulpit that gives it the dimension of a place of divine worship, and a wall entirely covered with monochromatic tiles, serving as a kind of altar. Its construction was due to a robbery carried out in the church of Odivelas in 1671 by a young man who was later condemned in this place, which then became a space where the faithful asked forgiveness for their sins.

A collection of milestones, some dating from Titus Domitian, Nerva, Trajan, or Hadrian. Here, one can read miles XXXIII, XXXIIII, XXXV, or XXXVI, counted from Bracara Augusta. This road, possibly built in the last third of the 1st century AD, connected Bracara Augusta (Braga) to Asturica Augusta (present-day Astorga, Spain) and covers a distance of approximately 215 miles (about 318 kilometers).

Garden unequalled in Portugal, the visit to this ex-libris is essential. The Paço Garden, annexed to the former bishop’s palace, was sent to build by the Guarda bishop, Dom João de Mendonça, in 1725. The beautiful baroque garden has various lakes, cascades, water spouts, staircases and statues. The Kings Staircase immortalizes all the Portuguese kings in granite, from Dom Afonso Henriques to the King Dom José I. Among the box appear symbolic statues from which stand out the four Men’s ultimate purposes, the cardial virtues, the theological virtues, the signs of the zodiac, the five parts of the world, the …

A new field in the Lisbon area that makes the Mastic a privileged Centre for the practice of golf, thanks to two neighbouring paths and a considerable area of practice. A concept quite different from golf Aroeira I course, materialized in "greens" fast and large that actually exceed the 700 m2 and are equipped with grass Penn A2, causes the Aroeira II is the first Portuguese golf course to use in the "greens" such a kind of grass, which can be cut to 2 mm. in spite of the inviting "greens", notes a growing difficulty of hole 1 to 9 …

The old town of Coimbra is characterized by narrow streets and steep, leading to the top of the Hill, where the city originated. Start on the street Ferreira Borges, where the Arco de Almedina mark the limits of the old city. Climbing the steps of the street of the coast, you will find the arc and the Palace Sub Laths, 16th century work of João de Rouen. A little further, Anto Tower marks the memory of poet António Nobre. In the middle of the slope, fascination with the beautiful view over the city. Around the street of Coutinhos, will come …