A grand 16th-century building built on two earlier structures from the 10th/11th and 13th centuries, traces of which remain in the apse and apsidioles. It preserves a niche of Visigothic decoration. The main façade features a square portico with a semicircular pediment from the Mannerist Reformation and two four-story towers, each with slits and topped by a Baroque bell tower.

The façade is typical of 18th-century art, with a door topped by an oculus and topped by a curved pediment, flanked by a bell tower. The interior is lined with tiles depicting jars and dolphins, dating from 1726. The gilded altarpiece of the main altar houses an image of Our Lady of Conception, the church's patron saint. Attached to the church is an interesting museum featuring sacred art.

Building built in the 11th century was restored between 1490 and 1510. It features a Manueline style with a naturalistic character, already influenced by the Renaissance. Inside, with three naves, the three altarpieces stand out, the main one from the 17th century and the secondary ones from the 16th century. Outside, the highlight is the door on the side wall, which has some Moorish influence.

This building has one only nave covered with tiles from the XVII century and rectangular main chapel which displays ashlars in tile topped by two painted panels from the XVII century with carving frames. In both sides there are the square towers with the bells. It should be pointed out that the classification includes the entire cover in tiles, carving and painted panels.

Deeply altered in the Modern Age, the Church of São Cristóvão, in the former municipality of Nogueira, is structurally a medieval, late Romanesque building, from which the axial portal and, on the sides, corbels, cornices, and frieze sections survive. Inside, the work of the main altarpiece and collateral altarpieces is notable, although most of this integrated heritage has been profoundly altered by recent interventions.

In this church constructed in 1496, it stands out the main façade sided by bell towers from the 17th century, presenting a magnificent Manueline doorway, laced and sculpted work done by João de Ruão. The interior presents three naves with wooden ceilings, separated by four round arches. On the transept chapels it stands out the golden carving and the coffered vaults.

This church is notable building for its opulence and grandeur. Its foundation goes back to the first nationally times. In 1673, began its reconstruction that finished only in 1720. Its façade grows in height, with the two bell towers. The inside is one nave only, with wood ceiling. Worthy of notice are the 16 canvas, cased with gold wood carving and the main chapel.

Construction ordered by the grandfather of the Marquês de Pombal, it is a palace from the XVII century with improvements made between 1760 and 1770. Besides its architectonical and artistic value, it also has the historic importance of being the birth place and house of the Marquês de Pombal. Its two main façades envelop an interior garden. There are two large gates facing north.

From the fifteen hundreds period, the church still preserves the Manueline door, with slender columns and decoration using vegan elements. The inside has one only nave with tunnel ceiling with painted coffers. It should be mentioned the altarpiece on the main altar from the 17th century and the glazed tiles cover. The Calvary, placed in the church yard is from the 17th century, as well.

This church is located in the main square of Salvaterra de Magos, with construction beginning in 1296 and undergoing several subsequent renovations. In the former sacristy, one of the tile panels bears a cartouche with the date 1725. Inside, one of the naves has a false wooden vaulted ceiling with a painting depicting its patron saint, Saint Paul, rising to heaven, guarded by a group of angels.