It stands out the frontage flanked by the campanile, the doorway with three archivolts which arches settle in columns with decorated capitals with zoo and fitomorpchic motifs. IT still maintains the corbels. The inside displays a rectangular nave and behead. The triumphal arch is in double archivolt and worked capitals. It is also worthy to mention, behind the neoclassic altarpiece, a remarkable frescoes from the 15th century.

Work founded in early 17th century by Fr. Sebastian, Prior of the convent of São Domingos de Viana do Castelo. In the 18th century, the Prioress Mother Catherine das Chagas sent to the current works of stones. Include the set of altarpieces and pelmets in Baroque gilded rocaille organ and an image of Christ, about the font, dating from the 16TH century.

Tumulus quite visible in the landscape, located at the beginning of the path that leaves in 513 and binds to the outpost of Mourela. Features about eleven metres in diameter and a central Depression bit accentuated, being visible traces of dolmen, namely five pillars that appear to be from the camera. The tumulus is on the ground and identify remains of lytic Cuirass. Belongs to the Megalithic necropolis of the Mourela plateau.

Built in 1788, by determination of Queen d. Maria i. was removed from their place of origin and is deposited in a garden in front of the old Municipal market of Alverca. The original monument just leaves the top of the landmark: a square base pyramid and concave sides topped by sphere with Sundial carved. This milestone is part of the other 12 that marked the first road between Lisbon and Santarém.

The façade is typical of 18th-century art, with a door topped by an oculus and topped by a curved pediment, flanked by a bell tower. The interior is lined with tiles depicting jars and dolphins, dating from 1726. The gilded altarpiece of the main altar houses an image of Our Lady of Conception, the church's patron saint. Attached to the church is an interesting museum featuring sacred art.

This church has a simple façade with a blue top, very typical from this region, with some steps preceding the entrance. It used to serve the farmers working in the surrounding estates and it is known as the destiny for the Sunday’s services for this region citizens during the 19th century. The inside is totally covered with wall paintings besides the 17th century paintings. During the Easter it receives pilgrimages.

Deeply altered in the Modern Age, the Church of São Cristóvão, in the former municipality of Nogueira, is structurally a medieval, late Romanesque building, from which the axial portal and, on the sides, corbels, cornices, and frieze sections survive. Inside, the work of the main altarpiece and collateral altarpieces is notable, although most of this integrated heritage has been profoundly altered by recent interventions.

In this church constructed in 1496, it stands out the main façade sided by bell towers from the 17th century, presenting a magnificent Manueline doorway, laced and sculpted work done by João de Ruão. The interior presents three naves with wooden ceilings, separated by four round arches. On the transept chapels it stands out the golden carving and the coffered vaults.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. The core of the Broeira, located in Larger Castle, consists of a shale rock with vertical pane where you can observe the recording of a number of reasons such as dorsal lines assigned to equidae as defined by lines incisas.

Construction ordered by the grandfather of the Marquês de Pombal, it is a palace from the XVII century with improvements made between 1760 and 1770. Besides its architectonical and artistic value, it also has the historic importance of being the birth place and house of the Marquês de Pombal. Its two main façades envelop an interior garden. There are two large gates facing north.