It is a set of seven trapezoidal sarcophagi dating from the end of the Middle Ages, placed in the churchyard of the Parish Church of Mesão Frio. Each of them consists of a chest and a lid, two of which are uncovered, with the lid on the side, having a tomb cavity with anthropomorphic contours. Five of them have a lid with a polygonal section with six planes and the other two have a lid of a different type, with a pentagonal section and a gabled volume.

Created in 1990 by the Silves City Council and built around the remarkable Almóada Well-Cistern, the museum's collections showcase archaeological finds from the region and the city. Chronologically organized, the museum's collections are divided into prehistory, Roman, Muslim, and Portuguese periods (up to the 17th century). Highlights include Iron Age funerary stelae with inscriptions of the Southwest Iberian Peninsula script, considered the region's first written language.

The Casa Grande museum displays collections of archaeology (from the Paleolithic to the Modern Age, with special emphasis on the Roman period), regional ethnography (agricultural tools and implements directly related to farming and objects related to breadmaking, shepherding, wine production, olive oil and almonds) and local history, through the collection of materials and documentation related to the history of the former municipal seat. It also has a section of the Casa do Moutinho.

In this Museum are exposed various materials from the municipality of Monforte, mostly Roman, collected during the excavations in the Roman villa of Torre de Palma. All objects found are grouped by categories like "Roman Necropolis", "Roman coins", "Agriculture and construction Material," "costume" and "weaving and kitchen and table". Highlight is some stucco paintings (on the site of the altar mor), and some carved granite columns. Are classified as Property in the public interest.

The artistic patronage of the Monastery, which owned the parish of Cuba, resulted in the donation of liturgical artefacts that enriched the building's ambiance, whose interior is covered in 17th-century tiles. The brotherhoods and sisterhoods based in the building also competed in commissioning works, demonstrating the land's richness. The collection thus assembled became the treasure of the main church of São Vicente, which later incorporated pieces from other churches in the town.

Located in the North-east of Portugal within the International Douro Natural Park, Casa das Arribas is a complex made by two similar country houses. Rebuilded from an ancient elementary school all in ground-floor and wood walls, Casa das Arribas is situated in the river slope, surrounded by juniper-tree, in nature communion, with all conveniences and a wonderful sight over Bemposta lagoon, in the International Douro river.

One of the pioneers of the country's electrification examples from hydropower. On the outside of the building, above the River, there is still a high brick chimney, which was once connected to a steam engine. In that place there was the mill of Pedro de Évora, a Mills belonging to the order of Christ. The city of Tomar was originally lit by 150 16 lamps, candles lit since midnight at dusk, except on moonlit nights, in which the intensity of the lamps was halved.

Olive oil mill, hydraulic engine Cabril which is situated next to the entrance of the village, which allowed for many years the making of olive oil from this region. Currently no longer works, either for lack of olives, or by any simpler means that do not require such large amounts. Its conservation status is not very good, but has the essential elements to be used with great accuracy and allow the recovery of tradition for filmic record.

This is one of the two megalithic monuments located along the road that connects Montalegre to the border, about 400 meters before the last crossing for a planed Sendim tea. The tumulus 2 Crane well, or field of Motorcycles, located just 50 metres from the second, is a monument with "tumuli", with about 14 feet in diameter and about a meter in maximum height. Features a central depression, being visible only a mainstay.

The Monument to the Stolen Lord, dating from 1744, consists of an enclosure in the shape of an isosceles trapezoid, featuring a pulpit that gives it the dimension of a place of divine worship, and a wall entirely covered with monochromatic tiles, serving as a kind of altar. Its construction was due to a robbery carried out in the church of Odivelas in 1671 by a young man who was later condemned in this place, which then became a space where the faithful asked forgiveness for their sins.