With a great architectonical simplicity, the Almas chapel dates from the beginning of the XVIII, and was repaired and enlarged in 1801. In 1929, the façades were covered with azulejos, by Eduardo Leite, representing the life of São Francisco de Assis and of Santa Catarina. The main façade presents a glass window by the painter Amândio Silva. Inside, the panel painted by Joaquim Rafael, representing the Lord’s Ascension and the image of Nossa Senhora das Almas stand out.

The atelier is located on the upper floor of this house, where a group of weavers dedicate themselves to the art of sewing and weaving, using three looms. On the lower floor there is a traditional loom, an exhibition on the linen cycle and the handicraft shop, where you can buy pieces made by weavers and products from the region, such as honey, tea or handicrafts. In addition to proposing programs of stay with accommodation, promotes workshops dedicated to weaving and photography, as well as routes and tours.

The Municipal Museum of Archaeology is located in the building where, during the 80s, was the City Hall. This space has areas of study, preservation, restoration and storing of the materials. There is also a small thematic library. The museum’s collection is deeply in touch with Albufeira’s history, from the most remote pre-historic days to the 17th century. The collection is divided in five thematic parts: pre-history, Roman period, Visigoth period, Islamic period and modern ages.

Located in the Peniche Fortress, this space arose from the recognition of this fortress as a memorial site and a major symbol of the struggle for freedom on a national scale. Its mission is to preserve the historical memory of the Peniche Fortress and the struggle of the Portuguese people, and in particular, the resistance to the dictatorship, for freedom and democracy. There, visitors can see the cells, visiting rooms, and the recreation yard of the prison, which also served as a residence for Germans and Austrians during World War I.

The museum is housed in the Convent of Our Lady of the Conception, founded in 1459 by the Infantes D. Fernando and D. Brites. Highlights include the 17th-century Portuguese tiles, the 16th-century Sevillian tiles, and the Baroque vault of the Chapter Room. Also, noteworthy are the paintings produced in Portugal, Spain, and Holland between the 15th and 18th centuries, the Roman section, and the collection of large classical capitals from the Forum of the Ancient Pax Julia (Roman Beja).

The Zêzere River passes through the municipality of Belmonte and this small museum shows all its history and characteristics. From the source to the mouth, visitors can learn more about the species that live in the river that rises in Serra da Estrela, as well as the vegetation that surrounds it. This museum center was created in the old Tulha dos Cabrais, an austere building that functioned as the granary of the most important family in the village, whose manor is located right in front of it.

House situated in the village of Aljubarrota, an area of great historical interest, and enriched by its cultural and tourist itineraries, with the monasteries of Alcobaça and Batalha and Óbidos Medieval village within walking distance, the beaches of Nazaré and São Martinho do Porto, or the serras de Aire e Candeeiros. The House owes its name to the Baker who, according to legend, killed the seven Spaniards fugitives from the battle of Aljubarrota, oven with a shovel.

Barely visible megalithic monument in the landscape, in the Megalithic Necropolis of the plateau of Mourela and located about ten meters from the road which connects Pitons to Tourém. Features about nine meters in diameter, with a "tumulus" almost shallow and a central Depression bit accentuated. Identify traces of dolmen, notably a mainstay, not being visible remnants of armor. It lies approximately 10 metres of paved road which connects Pitons to Tourém.

Church built at the end of the 15th century, it underwent several expansion works in the following centuries. This temple brings together several styles, from Gothic to Baroque, including Manueline, Renaissance and Mannerism. On the south side is the bell tower that boasts a marble sundial. The interior body of the church is shaped like a cross and has three naves with vaults that feature Gothic and Renaissance elements. Much of the interior is covered in 17th century tiles.

Manueline building where stands out the gate assigned to Marcos Pires, the triumphal arch and the vault of the chancel of Diogo de Castilho. The altarpiece of the main Chapel, triptych, presents in the center pane Nossa Senhora da Graça on the side panels and the conversion of St Paul and the fall of Simon Magus, representing the primitive Portuguese painting. Note also the altars with 16th century paintings and tiles from the 17th and 18th centuries.