This is the main church of Pontével, a town located about five kilometers from the municipal seat. It is believed to have been founded in 1302 and has been rebuilt several times, most recently in the 17th century. Some of its most distinctive features are the three bronze bells, with intricately worked edges, in its bell tower, as well as the late 16th-century tiles and the baptismal font.

Located on the south bank of the Tâmega River and bordering Santa Maria de Sobretâmega, the Church of São Nicolau, next to the old Canaveses Bridge, displays a late design within the context of Portuguese Romanesque architecture, evident in its column-less, capital-less portals and plain corbels. This church preserves, though very fragmented, important remains of mural painting from the 16th and 17th centuries.

This is an ancient cemetery with four types of tombs: bathtub-shaped, triangular, anthropomorphic, and carved into movable stones. Near these graves is the Penedo do Sino, a pedunculated granite block, shaped by weathering, and well-known for its strange and beautiful balance. This site was occupied between the 1st and 2nd centuries and later between the 12th and 13th centuries, although it is believed that this necropolis dates from the 6th to the 14th centuries.

A core composed of figures engraved in granite, representing two opposing bovids and a sequence of four bovid heads pointing toward the ground, which are associated with schematic paintings from recent prehistory. Certain painted lines add unengraved details, suggesting the hypothesis that some of the elements are Paleolithic. It is a UNESCO World Heritage Site (1998) and a National Monument by IGESPAR, part of the Côa Valley Archaeological Park.

This is one of the rock art sites in the Valley of the Coa, forming a rare set of this type of art, essentially composed of stone engravings dated from the Upper Paleolithic. This core consists of two rocks that have support writing of filiform reasons. On the left bank of ribeira is a vertical panel in shale showing how central motif equidae, while on the right bank can observe various Zoomorphic representations.

Former residence of archbishops, Palácio da Mitra or Palácio dos Arcebispos is a 16th-century building in the shape of a "u", which features typical Portuguese tiles in the rooms, also characterized by the thematic decoration of the time (representations of rural scenes, seasons or cooking). The church was completely rebuilt in the 16th century. The statues that decorate the interior rooms of the palace are from this period, as well as the monumental fountain, in Baroque style.

The construction of the primitive church was initiated at th end of the 17th century. Considred insufficient for all the faithful that came by, it was enlarged from the middle of the 18th century until the first decades of the 19th century, at which time the façade was finished. The tiles on the walls of the main chapel and the vault, reconstructed after the earthquake of 1755, are of the 18th century. One should pay close attention to the interior with rococo sculptures.

Setúbal was once surrounded by two belts of walls. The first, called Muralha Afonsina for being constructed during the reign of King D. Afonso V, traced out the boundaries of Setúbal. This wall was made to protect this fishermen community from the attacks of pirates. The second wall was constructed during the reign of King D. João IV and was made to protect the village that expanded outside the first walls.

Also known as Quinta dos Intendentes, the main façade dates from 1746, in which the Johannine gate stands out, despite the simplicity of the façade's features. At the top you can see a niche that houses the image of Nossa Senhora da Saúde. Inside, it has a living area, patio and gardens, in which you can admire various tree species, fountains, garden benches and a chapel.

The former recreational estate of the Bishops of Porto, comprising a beautiful 18th-century house in the purest Baroque style and with a strong influence from the school of Nicolau Nasoni – it is thought that the statuary and some architectural elements may even be his work. Here we find the beautiful "Gardens of Maia", fountains, chapels and a swimming pool. Inside, the chapel with its 17th-century gilded altarpiece deserves mention.