The primitive chapel was built in the 16th century, suffering in the following centuries several refurbishments and additions. Emphasis on the façade in the Baroque style and its tiled Bell Tower.

19th century House, residential type, consisting of 3 floors, work as nursing home since 1978. Inside you can see revivalists tiles on the ceiling of the entrance hall and other more modern in the Ashlar Hall.

A baroque church with a high chapel with a decorativ exuberance in th front. In the churchyard, there is a mannerist crucifix.

Small temple with only one nave.

Romanesque temple, with the main chapel's canopy standing out. The bell tower was built in the 18th century.

This church is dated from the 18th century and here can be stand out the campanile, and on the inside the altars golden carve and the Calvary arch. The ceilings, formed by coffers, display painted figures by Dmaião Valliasoleti from 1773.

This Romanic temple has altarpieces in neoclassic carving. On the inside, improved on the 19th century, it stands out the Romanic arch from the main chapel that settles in columns with decorated capitals, of which has mermaids. The nave walls are covered with sixteen hundreds glazed tiles.

This church has one only nave with a high choir, main chapel and lateral chapel. It was integrated on a Franciscan Monastery from which it is kept the porch with three arches. The portico holds the Renaissance outline as well as the funerary chapel from D. Francisco Coutinho. On the inside stands out the fifteen hundreds paintings and the ceiling covered with coffers. Next to the main chapel there is a defensive tower.

This church stands out for its remarkable tile revestment and for its interest regarding the religious art, golden carvings and tiles. The high altar is revested by a rare pattern of the 17th century and the nave with tile panels with stories of the 18th century. The sacrarium of the high altar, carved, was made in 1731 by Francisco Machado. A special note, in the high altar, to the representation of Saint Anthony (centre), Saint Bento and Saint Peter, to the right, Saint John and Benedictine nun to the left. The remaining altars represent the Sacred Heart of Jesus.