Megalithic monument of easy visibility, about twelve feet in diameter and about 0.5 meters high. Does not present any signs of rape, and may be intact. Starting from Montalegre by in 508 linking Meixedo, should follow toward Gralhós\/Firvidas, finding the tumulus at about 100 meters before the intersection of the roads connecting to the new village of São Mateus, Gralhos, Firvidas and Zadjalooooo.

Large church with main façade flanked by towers with pyramidal and prismatic spires protruding in the lateral façades little foothills. Features vaulted nave, divided into five sections by torais arches, chancel and side chapels with cannon vaults simple. Simply decorated in the facade inside, only contradicted by the exuberance of azulejar. The classification includes the carving retables and tiles from the 17th century ("carpet") q

Is a temple of three naves with wooden cover to form cross with the ribs painted, separated by arches full on pillars of quadrangular section. The choir-high is about pilasters, with wooden balusters and subcoro painted with representation of hell, celestial Court and others. Enhancement for the altarpiece in talha, from 1719. It should be noted that the classification includes all elements that are part of the set of sanctuary of pilgrimage and the place in which they deploy.

This is the main church of Pontével, a town located about five kilometers from the municipal seat. It is believed to have been founded in 1302 and has been rebuilt several times, most recently in the 17th century. Some of its most distinctive features are the three bronze bells, with intricately worked edges, in its bell tower, as well as the late 16th-century tiles and the baptismal font.

Former residence of archbishops, Palácio da Mitra or Palácio dos Arcebispos is a 16th-century building in the shape of a "u", which features typical Portuguese tiles in the rooms, also characterized by the thematic decoration of the time (representations of rural scenes, seasons or cooking). The church was completely rebuilt in the 16th century. The statues that decorate the interior rooms of the palace are from this period, as well as the monumental fountain, in Baroque style.

The construction of the primitive church was initiated at th end of the 17th century. Considred insufficient for all the faithful that came by, it was enlarged from the middle of the 18th century until the first decades of the 19th century, at which time the façade was finished. The tiles on the walls of the main chapel and the vault, reconstructed after the earthquake of 1755, are of the 18th century. One should pay close attention to the interior with rococo sculptures.

Setúbal was once surrounded by two belts of walls. The first, called Muralha Afonsina for being constructed during the reign of King D. Afonso V, traced out the boundaries of Setúbal. This wall was made to protect this fishermen community from the attacks of pirates. The second wall was constructed during the reign of King D. João IV and was made to protect the village that expanded outside the first walls.

Also known as Quinta dos Intendentes, the main façade dates from 1746, in which the Johannine gate stands out, despite the simplicity of the façade's features. At the top you can see a niche that houses the image of Nossa Senhora da Saúde. Inside, it has a living area, patio and gardens, in which you can admire various tree species, fountains, garden benches and a chapel.

The former recreational estate of the Bishops of Porto, comprising a beautiful 18th-century house in the purest Baroque style and with a strong influence from the school of Nicolau Nasoni – it is thought that the statuary and some architectural elements may even be his work. Here we find the beautiful "Gardens of Maia", fountains, chapels and a swimming pool. Inside, the chapel with its 17th-century gilded altarpiece deserves mention.

A building located in the historic area of the city of Vila Nova de Gaia, near the port wine cellars and dated from the 17th century. It has an L architectural structure with two floors and a stone staircase leading to the noble floor. On the west side one may view the chapel and the gardens. The chapel and the entire surrounding set, the gardens included, ar classed as a Public Interest Construction.