Church rebuilt in the 19th century on the ruins of an ancient temple. Features a tower with a clock. In the interior, especially the grave of Sebastião Mendes Brito.

A temple of Romanesque foundation, it retains little of its original design. Inside, the Baroque carvings on the altars and the tombs dating from the 14th and 15th centuries are noteworthy.

A Cistercian monastery that probably dates back to the 40s of the 12th century, preserving important Romanesque vestiges, particularly in the church's longitudinal nave, and Gothic elements in the chancel. It is located on the right bank of the Campesinho River, where the Mourela plateau meets the Geres mountain range. Inside the church, a Baroque altarpiece can be seen. Between the cloister and the cemetery, the church stands out, with a rectangular plan and a chancel, the latter on a lower and narrower level. On the main façade is a double-windowed bell tower flanked by two pinnacles and topped by …

Small chapel, built in the 18th century in the place of primitive gathering of Cistercians. Has Mannerist volumetry, ornamented Baroque main portal controller. The interior is a single nave attached to chorus by a spiral staircase.

An imposing baroque church that presents a curious contrast: the decorative sobriety of the outside in opposition with the inside opulence. The golden woodcarving work, the painted ceiling, the covering of the walls at the main chapel with revivalist glassed tiles, the baroque organ, the statuary and the sacristy with a stone “fountain” are some of the main features.

This Romanic church maintains the corbels around the building. On the main façade a portico stands out topped by a round window and on the posterior façade, there is a niche all in worked stone where it is possible to admire a sculpture from the Patron Saint in Ançã stone. The inside has one only nave with painted coffers on the ceiling.

This building has a rectangular plan and it is believed that it was built on the XIII century. It only preserved the area corresponding to the main chapel, in ruins and without cover and the triumphal arch. The cornice stands out, adorned by half spheres and settled in corbels decorated with geometric and zoomorphic motifs.

Mannerist and Baroque church with a longitudinal plan and a single nave, built in the 16th century and expanded in the 18th century. Inside, highlights include a collateral chair and two decorated tribunes.

Baroque church of nave and main facade with two arches arch portal. Interior with wooden ceilings, chorus-alto, pulpit in the Gospel and two side chapels with altarpieces in Mannerist and Baroque, gilded, and major neoclassical reredos.