Situated in the Resort of Reguengo, Morgado Golf of Poplars is the second field of 18 holes of this country retreat, which has as its backdrop the Serra de Monchique and the vineyard property. Two water reservoirs and an Orangery complement the beauty of this field. In addition, the resort offers luxury accommodation with a hotel and apartments, supported by unmatched leisure services inside and outside the complex. The Autódromo Internacional do Algarve is only 5 minutes away

Operating since 1937, it houses a vast collection of objects related to cod fishing and the agro-maritime activities of the Ria de Aveiro, highlighting the lagoon's various fishing techniques. It also boasts a vast art collection and the largest collection of shells in the country, as well as a collection of seaweed. Part of the Portuguese Museum Network, it includes a Cod Aquarium with a capacity of 120 cubic meters of water, and the Center for Marine Research and Entrepreneurship (CIEMar Ílhavo).

With a privileged location, in the so-called Blue Lake, in Castelo de Bode Reservoir, Lake apartments offer a unique opportunity to enjoy the tranquility. Each apartment is approximately 110 square meters, with large balconies facing the Lake and the mountains. With fully equipped kitchens, TV, two bathrooms and decoration with wooden finishes to the neoclassical style, were designed to make you feel at home within the nature of a special form and inviting.

Localizado no centro histórico do Funchal, este sofisticado hotel resulta da reabilitação de seis edifícios do século XVII. Com uma decoração inspirada no artesanato da ilha, que enaltece o património cultural da Madeira, oferece 111 elegantes quartos, dois restaurantes, dois bares e um maravilhoso rooftop onde se localiza a piscina e um dos bares.

House situated in the village of Aljubarrota, an area of great historical interest, and enriched by its cultural and tourist itineraries, with the monasteries of Alcobaça and Batalha and Óbidos Medieval village within walking distance, the beaches of Nazaré and São Martinho do Porto, or the serras de Aire e Candeeiros. The House owes its name to the Baker who, according to legend, killed the seven Spaniards fugitives from the battle of Aljubarrota, oven with a shovel.

Built in the 16th century, the building initially housed the Convento das Freiras Terceiras Regulares de S. Francisco, dedicated to Nossa Senhora do Loreto. Later, in the 18th and 19th centuries, it was a military headquarters and hospital. After the explosion of 1810, it was remodeled and became the village's Mother Church. Inside, the Capela do Menino Jesus stands out, with a portal from 1699. Currently, the temple is dedicated to Nossa Senhora das Candeias.

This church, built in medieval times, underwent successive renovations. The facade is in gable clipped, with cone-shaped window and shot false pediment with a niche. In the lateral façades are traces of openings, Windows, doors or graves. Inside, the main altarpiece is a copy of transition, with neoclassical decorative elements but with baroque structure. The internal coverings show neoclassical decorative painting. There are also images of s. Pedro de Verone and some paintings in the side altars.

This temple was constructed on the 16th century; it possesses three naves divided by round arches and fifteen hundreds columns with Ionic capitals. The wooden roof has in the central roof mate, an important and rare oeuvre. The main chapel has an altarpiece dated from the 17th century and the walls are covered in white, rose and black marble. It stands out the four panels in board with paintings from Diogo de Torres, the carving and the imagery.

Building designed by engineer Adriano da Silva Monteiro (1846-1925), with neoclassical traits, of remarkable Italian theatrical architecture, having been opened in 1892. In the living room of spectacle stands out the ceiling, by António Ramalho, with an allegory alluding to the themes of tragedy and comedy, where, among other things, is part of the name of Garcia de Resende. In addition to work as show room, it also has a school of theatrical training.

Manueline building where stands out the gate assigned to Marcos Pires, the triumphal arch and the vault of the chancel of Diogo de Castilho. The altarpiece of the main Chapel, triptych, presents in the center pane Nossa Senhora da Graça on the side panels and the conversion of St Paul and the fall of Simon Magus, representing the primitive Portuguese painting. Note also the altars with 16th century paintings and tiles from the 17th and 18th centuries.