Melgaço Castle currently consists of an imposing keep - with three floors, a parapet protruding over corbels, crowned by pyramidal merlons and with a hipped tile roof - and the surrounding walled enclosure, in a good state of conservation. It is believed that it may have had 3 towers and two doors, according to Duarte de Armas in his “Livro das Fortalezas” (Book of Fortresses) from 1509. The current tower houses the Melgaço Keep Tower Museum.

According to legend, the foundation of this castle began with a hillfort that allowed Viriato's companions to withstand a seven-year siege. Later, it also withstood Arab, Castilian, and French attacks. It is located amidst a rocky outcrop, at a strategic lookout point. Dom Afonso Henriques granted it a charter in 1174 and donated it to the Templars, who built the castle. Of the imposing medieval fortress, only the quadrangular Torre de Lucena and Torre do Pião remain.

Fortified settlement well highlighted in the landscape, located on the left bank of the River, Rabagão overlooking the EN 103 and near the second entrance to Vila da Ponte, coming of Montalegre. Highlights include the obvious line of wall surrounding the village and the two deep parallel ditches between themselves. Inside and on the surface are barely evident traces of occupation. Here are a wide visibility over the surrounding territory, including about the castro de Valongo.

Founded in 1540, this convent features of various eras. In this monument are the main façade, the taste, the filipino side, with its three-story portico, (being the last Baroque, with pediment crowned by the Royal shield). A special attention to the balcony of Kings, five arches Gallery to the left side of the portico, the two cloisters and the interior, with three naves, with all its decoration. Currently, works here the Municipal Museum Amadeo de Souza-Cardoso.

With a great architectonical simplicity, the Almas chapel dates from the beginning of the XVIII, and was repaired and enlarged in 1801. In 1929, the façades were covered with azulejos, by Eduardo Leite, representing the life of São Francisco de Assis and of Santa Catarina. The main façade presents a glass window by the painter Amândio Silva. Inside, the panel painted by Joaquim Rafael, representing the Lord’s Ascension and the image of Nossa Senhora das Almas stand out.

Em Alcobaça utiliza-se os barros brancos da região. As peças apresentam, por vezes, reproduções das antigas faianças portuguesas. Cores utilizadas: azul, verde, amarelo e roxo. A louça mais tradicional tem fundo branco e decoração a azul. Em Vestiande e em Alcobaça ainda se executam peças de cerâmica e azulejo mantendo o fabrico tradicional.

The Pedagogical Farm of Silves, located on the site of the Falacho de Cima, 8 miles from Sines, is a space designed to teach children, but also to adults, the way of life of the agricultural Farms of the early 20th century. Here are promoted several activities and ludic tasks: making bread and sweets or observation of animals. There is also an Educational Garden, a picnic area and picnic, the ethnographic museum, a Tide mill and a re-creation of the Miller's House.

Situated in the Resort of Reguengo, Morgado Golf of Poplars is the second field of 18 holes of this country retreat, which has as its backdrop the Serra de Monchique and the vineyard property. Two water reservoirs and an Orangery complement the beauty of this field. In addition, the resort offers luxury accommodation with a hotel and apartments, supported by unmatched leisure services inside and outside the complex. The Autódromo Internacional do Algarve is only 5 minutes away

A museum that belongs to the Anadia's Santa Casa da Misericórdia and is located in the manor where José Luciano de Castro (1834-1914), the leader of the "Progressive Party" and a remarkable statesman of the liberal monarchy, once lived. It contains the collection that was donated during his life and later by his relatives to the Anadia's Santa Casa da Misericórdia, namely family and persoanl objects. A special note to the retable panels of Saint Jerónimo and Saint Helena.

Operating since 1937, it houses a vast collection of objects related to cod fishing and the agro-maritime activities of the Ria de Aveiro, highlighting the lagoon's various fishing techniques. It also boasts a vast art collection and the largest collection of shells in the country, as well as a collection of seaweed. Part of the Portuguese Museum Network, it includes a Cod Aquarium with a capacity of 120 cubic meters of water, and the Center for Marine Research and Entrepreneurship (CIEMar Ílhavo).