The Chafariz da Colher is a fountain with a base and an ajutage made of granite. It is sided by a wall shaped as a tank. Considered to be the oldest fountain in the city, is name is owed to a tribute people had to pay for each bag that entered the Porto city: a spoon of cereals.

Baroque manor in L, with two floors, surrounded by a grating wall, which bounds a lovely garden. Inside are worth notice the stairs, the arcs and baroque decoration. The name of this manor id owe to the fact that, in times, there used to be a public way here.

As one follows the Lima river and heads to its spring to the east, which is the say the border with Spain, is impressed by the contrast in the landscape: from the green fields of Ponte de Lima to the rough "watercolour" of Lindoso. Nonetheless, the most impressive feature is the fabulous views one has from the Serra Amarela (Yellow Hill). From there, one views the biggest reservoir in the Iberian Peninsula (the Lindoso Reservoir) and a wide part of the Lima valley. The most daring may try and ascen to the antenae.

A space that, asie from a wide diversity of books for all ages, has internet access, an aujdiovisual room and activities for the children: various ateliers and the "babies library".

This church is also known as São Luís Church, together with the monastery it was founded in 1596 by Luís de Figueiredo Falcão and used to belong to the Clarisse orders. It has some elements from the sixteen hundreds and from the eighteen hundreds. From the first period, it stands out the only nave, the ceiling and the main chapel coverage; from the second period stands out the doorway, the windows and the main elevation.

This pillory in granite has three steps and a cylindrical shaft and i tis decorated with a Cross on its top.

This Chapel has one only Nave covered in wood, and the main chapel is vaulted. On the main Façade the Coat of Arms from the Third Order of St. Francis stands out. On the inside, the fifteen hundreds reredos from Diogo Teixeira and Belchior Matos, should also be point out.

Parish Church probably dating from the 17TH century, the present features of Mannerist and Rococo architecture. In the second half of the 18th century were included the main and side door and the altarpiece of the main Chapel.

Mannerist Chapel of unique interior space, with coverage in a fake barrel vault. Features inside holy water sinks gomadas, flanking the portals, and having torn the wall niche in forepart round Arch on Tuscan pilasters, to retable structure.

Nineteenth century House of simple rectangular plant consisting of two hinged rectangular volumes. Features a symmetrical main façade divided into three rags and torn by going to rectilinear. Inside, a Freestone ladder providing access to the piano nobile.