The Zêzere River passes through the municipality of Belmonte and this small museum shows all its history and characteristics. From the source to the mouth, visitors can learn more about the species that live in the river that rises in Serra da Estrela, as well as the vegetation that surrounds it. This museum center was created in the old Tulha dos Cabrais, an austere building that functioned as the granary of the most important family in the village, whose manor is located right in front of it.

House situated in the village of Aljubarrota, an area of great historical interest, and enriched by its cultural and tourist itineraries, with the monasteries of Alcobaça and Batalha and Óbidos Medieval village within walking distance, the beaches of Nazaré and São Martinho do Porto, or the serras de Aire e Candeeiros. The House owes its name to the Baker who, according to legend, killed the seven Spaniards fugitives from the battle of Aljubarrota, oven with a shovel.

Barely visible megalithic monument in the landscape, in the Megalithic Necropolis of the plateau of Mourela and located about ten meters from the road which connects Pitons to Tourém. Features about nine meters in diameter, with a "tumulus" almost shallow and a central Depression bit accentuated. Identify traces of dolmen, notably a mainstay, not being visible remnants of armor. It lies approximately 10 metres of paved road which connects Pitons to Tourém.

Church built at the end of the 15th century, it underwent several expansion works in the following centuries. This temple brings together several styles, from Gothic to Baroque, including Manueline, Renaissance and Mannerism. On the south side is the bell tower that boasts a marble sundial. The interior body of the church is shaped like a cross and has three naves with vaults that feature Gothic and Renaissance elements. Much of the interior is covered in 17th century tiles.

Manueline building where stands out the gate assigned to Marcos Pires, the triumphal arch and the vault of the chancel of Diogo de Castilho. The altarpiece of the main Chapel, triptych, presents in the center pane Nossa Senhora da Graça on the side panels and the conversion of St Paul and the fall of Simon Magus, representing the primitive Portuguese painting. Note also the altars with 16th century paintings and tiles from the 17th and 18th centuries.

On a steeply sloping area below the castle lies the old mosque, converted into a Christian church in the 13th century, with a Manueline-Mudejar façade featuring battlements and spires. It is the only one that still retains the volume and some decorative elements of the Arab temple that preceded it, notably the "T" layout, the presence of the mihrab and the compartment in the "qibla" (mosque wall) facing Mecca, the existence of five naves from the old mosque, the statuary, doors, and remains of the mihrab.

The Santo Ildefonso Church is placed at the beginning of the street with the same name. This church stands out immediately for its azulejos (tiles), which cover almost all of it. Its reconstruction started in 1730, because the first church was in ruins, and ended in 1737. The walls have Jorge Colaço’s azulejos (1932), with scenes from Saint Ildefonso’s life and Eucharist allegories. The lateral altars are neoclassical works and the co-lateral altars are rococo.

This building is composed by one only nave and rectangular main chapel flanked by 2 chapels. The square bell tower presents two levels in which the superior one has only 2 walls with bell ringers crowned by pinnacles on the corners. On the south façade there is a doorway with arch, archivolts above the right foot and flat tympanum, two openings and windows. It preserves Romanic elements from the second half of the 13th century.

Granite bridge, which is believed to have been the first bridge to be built over the river Cabril. Presents a trestle Board, with the ramp on the left side is greater than the law and the pavement in lajeado, based on three arches of different sizes, which grow from left to right. The two smaller ones are of perfect arches, while the third is slightly pointed. On the right bank, at the entrance of the village, there is a cruise with frame and front inscription.

Also known as the Fig Tree Fountain or Moorish Fountain, it is an interesting example of Gothic civil architecture, illustrative of public works from the 13th and 14th centuries. This national monument has a porch structure resting on three arches and is characterized by the decoration of its crowning with pointed battlements. The vault features shields with the royal arms, which appear to be those of King Dinis, and those of the municipality, these being of great perfection with intertwined floral decoration.