In the center of the Beira Alta and running since 1962, the Balneario Termas de Alcafache Sulphurous has undergone a constant growth and process improvements, always attempting to offer a higher quality and comfort. These spas are a little paradise protected from pollution and stress of cities in a 100% ecological environment. Here it is treatment of musculoskeletal diseases, rheumatic, respiratory and endocrine-metabolic. Also has a thermal SPA wine therapy and seaweed treatments and programs for face and body.

The riding Centre of Barcelona is situated in the magnificent Natural Park of Serra de Aire e Candeeiros, in the region of Leiria-Fátima. In an impressive scenery of rocky hills that originated in the late Jurassic period, during millennia shaped by water erosion and perforated by hundreds of caves of great beauty. Rich of fauna and flora, with rare and even unique, this National Park constitutes a pole of attraction for all those who favor vast horizons, bright and depolluted.

Museum consisting of collections of archaeology, fine arts (painting, gouache, sculpture, drawing, watercolour and printmaking), tiling, posters, documents, ethnography, industrial heritage, epigraphy, numismatics, photography and textiles. There are also the collections of religious art and antoniana and the spoils Julius Goes, which consists of drawings and watercolours depicting mainly the lezírias of Vila Franca de Xira and bullfighting themes. Highlights also include the photographic collection consists of approximately 6000 images.

Surrounded by beautiful gardens populated with statues and sculptures, the Santa Maria de Lamas Museum was founded in 1950 and renovated in 2005. It comprises sixteen rooms and a remarkable collection of permanent exhibitions. There you will find rooms dedicated to sacred art, the cork industry, furniture, ethnography, statuary, natural sciences, ceramics, and curiosities. The museum's educational service conducts educational activities aimed at different age groups, focusing on raising awareness of art and cultural heritage.

Built in the 16th century in the place of a hermitage where the sailors went to pray, it was deeply modified after the earthquake of 1755. The main chapel is decorated with a panel of the end of the 17th century, which belongs to the experimental baroque epoch. A stone image of Nossa Senhora da Esperança and yet another image of Santa Ana, credited to the sculptor Machade de Castro, ar part of this church's assets, that also includes paintings and images from several convents.

Judging by the architecture, this Chapel features a form of construction typical of the end of the 15th century and early 16TH century, showing similarities to the monastery of San Pedro de Instrumentals by the stones. The mural there patent is of great artistic beauty, the two-dimensional nature of the figuration and by drawing the faces of angels, performed in the mid-16th century and attributed to the painter Arnaus, one of the most interesting fresquistas of the Portuguese Renaissance. The chapel underwent conservation works in 2004 and 2005.

The construction began in 1610 as the Paço de D. Brites Lara (Palace), and in 1657 the Ordem das Carmelitas feminine convent, space where the church is integrated, was built. By the end of the XVII century the pulpits were built and the dressing in golden woodcarving began. In the next century the referred woodcarving was combined with azulejos (glazed tiles) from the Vital Rifarto factory. Already at the XX century, the building suffered repair works, being classified as National Monument.

The Santarém City Council currently occupies this beautiful palace, a remarkable example of sunny 17th-century civil architecture. The property was acquired in 1954 from the heirs of the capitalist Eugénio de Carvalho e Silva, after whom it is named. A building with classical lines, it has an elegant and sober façade, with balcony windows and characteristic 18th-century moldings. Inside, highlights include the "Noble Hall" and the "Hall of Virtues of the Councilors" with 18th-century tile panels.

19th century building of plant in U, with three floors and facades topped off in double cornice. It was built in 1755 by Barefoot Hermits of St. Augustine, also known as friars crickets. After the extinction of the order, belonged to a State Organization, a Republic of students and several private educational institutions. In 1920, functioned as sporadic residence de Oliveira Salazar and Cardinal Cerejeira. Currently, works here the General Secretariat of the University and the Home of the University of Coimbra.

Even though it was initially destined to become a nuns convent, it ended up as the collge of the priests of the Companhia de Jesus at the time it was finished. In 1766 the Diocesano Seminar was established here and made enlargement works. Of this monument the most elaborated window, of 1749, a large window of 1685 and the tower, of 1930, stand out. Inside, a special note to the three domes with crosswork arches and the corbels, on the ceiling, the high altar, the choir, the cloister and the sacristy, for the painted panels on the ceiling.