The Regional Museum of Archeology and Ethnography of Arganil includes the assets from the Roman military camp at Lomba do Canha (2nd century, Republic period) and dolmens 1 and 2 of Moinhos de Vento, Lomba do Canha, Arganil.

Located at the basement of the Príncipe Real square, with a capacity of 880 m3, it was supplied by the Águas Livres Aqueduct. The museum is divided in four nucleuses: the Águas Livres Aqueduct, the Mãe de Água of Amoreiras, the Patriarchal Reservoir and the Elevatory Station of the Barbadinhos.

This small museum, placed close to Igreja de Santo António (Santo António Church), presents a collection of engravings, paintings, sculptures, ceramics and liturgical ornaments that evoke the patron saint of the city. Gold and silver objects decorate the space.

The Museum of Ethnography and Archaeology is housed in the Chapter House of the former Convent of São Bento de Avis. The interior houses archaeological, handicraft, and ethnographic pieces collected by municipal employees, Mr. Antônio Bonito, a local artisan, and the local population.

Localizado no centro histórico da cidade de Seia, é composto pela Igreja da Misericórdia e a Casa do Despacho, e foi inaugurado no âmbito das comemorações dos 430 anos da Misericórdia.

Bem no coração da serra do Motemuro. Ao seu dispor estão 9 Casas (10 quartos) equipadas com ar condicionado, lareira e kitchenette permitindo uma sensação de conforto e tranquilidade.

In this building, also named Casal Monserrate, the main entrance, in art déco, and the great decorative riches of the kitchen's furniture stand out. In the well taken care of gardens, a special note to the tile panels and the sculptures by Leopoldo de Almeida.

This Venerable Church of Ordem Terceira de Nossa Senhora do Carmo was built in the 18th century. With a facade of great simplicity, presents the typical baroque interior, lined with gold. The dome and the dome are 18th century paintings by Pascoal relative.

Baroque church built probably in the first third of the 16th century. It was then enlarged in 1721, when it was also bronze Bell donated by the Bishop of Elvas, Dom João de Sousa Castelo Branco. In the chancel, highlighted by the frescoes of the Baroque period.

Built in 1912 by the merchant Manuel de Jesus Belmarço, it is a revivalist palace, with a rectangular plan and two floors, with bourgeois characteristics. One should notice the volumetrics of the corner turret, the stonework coat of the main façade and the diversity of the spans frames.