Monument located in a tall and imposing, standing out as a viewpoint. The recent excavation campaigns confirm the existence of a settlement the centuries III and II century BC (copper and Bronze Ages). It is not known, however, if it was a fortified village or just a place monumentalizado.

Convent located out-of-doors, where Peter lived. In 1246 was already built and in 1634 the community already had 28 brothers. With the expulsion of the religious orders was turned into barracks. Underwent restoration and now houses the District Archives of the guard.

A two-story building with an arched structure, the street crosses it. On the first floor, the entrance door and central arch over the street stand out, while the second floor features rectangular windows, one with a grille. It houses a small museum.

This chapel, from 1742, was built in the honour of Our Lady of the Remédios. It has an octogonal shape and in its interior the late baroque retable of polychrome carvings that imitates marble and a stonework of white and blue tiles with hagiographic thematic stand out.

This church was probably built on the 15th century and it is composed by a longitudinal plan. It possesses one nave, a narrow and high main chapel, a sacristy and a bell tower. On the inside it stands out the altarpiece in golden carving on the main altar and on the outside for the campanile.

Church with a longitudinal plan comprising nave and chancel, transept, side chapels and sacristy. On the main facade, the full-arch portal stands out with voussoirs and imposts decorated with semi-spheres, a cross in relief and a bell tower with two windows.

In this building, also named Casal Monserrate, the main entrance, in art déco, and the great decorative riches of the kitchen's furniture stand out. In the well taken care of gardens, a special note to the tile panels and the sculptures by Leopoldo de Almeida.

17th century church with a Latin cross plan with three naves, main chapel, sacristy and annex. The altarpieces of the Immaculate Conception, Saint Ignatius of Loyola, Our Lady of the Rosary and Saint Bonaventure stand out, next to the main altar.

Façade decorated with a portico sided by emblems, with three windows ended by curve fronton where the granite images of Keen Santa Isabel, São Francisco and Santo António stand out. Inside are worthy of notice the XVII century oils.

The facade features a Romanesque portal with three archivolts with a full arch, decorated with angels in relief on columns with carved capitals. Two niches, with three images, flank the portal. Inside, 16th century frescoes and gilded altars stand out.