16th century temple with three naves, with a portal with a pointed arch and carved capitals and a rose window with sculptures on the facade. Highlights include the 17th century tiles and the historic panels from the 18th century, the four limestone altars from the 16th century and the seven 16th century tablets by the master of Sardoal.

The chapel of Saint Barbara, whose construction will reassemble to the eighteenth century, there is the beautiful Baroque façade, with an imposing rectangular portal, the frame of the doorway is in granite worked with volutes. On top has a small kiosk, richly decorated and crafted, which houses a sculpture of Santa Bárbara. The façade is surmounted by the arms of sheep and Queirogas.

The body of the monument was built in the 16th century and the façade has a baroque portal with pseudo-salomonic columns and frontons with rolled parts. The interior is divided into three naves by polygonal columns that support arches. A special note to the high chapel and to the chapel of the Figueiredos, the retable of Saint Estevão and the image of Saint Mary Magdalene.

This is a church from the 1500s that was completely rebuilt during the 18th century. Planned by Nasoni, it features a sober construction with the portal ended by an outstanding arch. The façade is sided by a bell tower. The south tower has a belfry that was added on the second half of the 19th century. Worthy of notice are the lateral doors of the main chapel.

Romanesque church with a single nave, highlighting the main facade with a truncated gable, portal with archivolts decorated with phytomorphic and geometric motifs and a profusely decorated tympanum. In the nave there is a small museum nucleus where there are fragments of the pillory of Ansiães and sepulchral stelae decorated with solar symbols, Maltese and Templar crosses and Jewish stars.

The name comes from the fact that the farm belonged to Luís Gomes Mata, "Correio-Mor" (chief of the post delivery) at the time of Filipe II. Built in the 18th century, the palace might have been designed by the Italian António Canevari, one of the architects of the Convent of Mafra. It is preceded by an emblazoned door leading to the patio. Inside, the tiles and stucco ceilings with paintings by José da Costa Negreiros stand out. In the gardens, the waterfalls and tiles with mythological scenes stand out.

The Interpretive dos Moinhos da Gávea Core results from recovering five watermills, surrounded by a pleasant leisure area also recovered. The aim of this Center is to reproduce the traditional route of the water, showing visitors how does bread Cycle, while preserving the historical and cultural traditions of the region. Here are handled themes related to the millology, since the cycle of cereals to the day to day Miller, passing by different grinding systems and ending Robin mills. Select your visit and step back in time. Will start with "Caster mill". It follows the mill "the evolution of grinding: the …

This funerary basilica was located next to the Roman road connecting Mértola to Beja. This important monument was partially excavated in the late 19th century, and several funerary inscriptions were recovered from it, now housed in the National Archaeological Museum in Lisbon. Currently, it houses a museum where the foundations and floors of the former church are preserved. This museum contains inscribed stelae, which constitute the most important collection of Early Christian tombstones found in Portugal.

This space's Art Nouveau decor stands out in a bar that is ideal for chatting away from confusion. It is open from 6 pm to 3 am and from 9 pm to 3 am on Saturday.

A small village where the ruined Convent of Our Lady of Carmo stands out, as well as the Mother Church and the chapels of Saint Pedro and Saint Bárbara. The "cavacas do Freixinho", a local sweet, are famous.