Chapel of longitudinal plant, composed of a ship is intentionally prolonged, a narrower chancel and a vestry located near the front right side. The main façade is torn by a straight Dick portal, flanked by two Windows. It was built in the 17th century and restored between 1956 and 1957.

Vernacular chapel with a simple longitudinal plant single space preceded by a rectangular porch, with homogeneous coverage in roof of three waters. The porch is supported by Tuscan columns, especially the axial portal in round arch. Inside, the altarpiece-mor late-Baroque carved polychrome.

Baroque church of longitudinal plant consisting of a nave, a chancel narrower and adossadas, a Bell Tower and a sacristy. The main façade features an arched portal down and a big window. Inside the baptistery, pulpit on the side of the Gospel and the main altarpiece of carved late-Baroque polychrome.

Gothic and Baroque church of longitudinal plant consisting of a nave of three bays, a chancel and a vestry closer and a adossadas Chapel. Features a main facade in straight gable torn by a pointed arch portal. Inside, the main altarpiece and the side altarpiece, of gilt national style.

Mannerist and Baroque church composed of a longitudinal plan with three naves staggered, four bays, a chancel narrower and a Bell Tower and a sacristy adossadas. The main façade has a portal back perfect, a rectilinear window and a niche. In the interior, especially the altarpieces of gilt and polychrome.

This building's main façade features a 16th-century portal topped with the coat of arms of Dona Leonor. On the left side is the bell tower, and on the side façade, two large 17th-century windows stand out. Inside, the triumphal arch and carved chancel are noteworthy.

The Nossa Senhora da Conceição Church was built at the end of the 15th century, damaged by the 1755 earthquake, and then rebuilt in the 18th century. A new reconstruction in the 19th century gave it the current configuration. Of the original building, the Gothic portal with gilded capitals and gargoyle stands out.

A monumental temple that stands out for its symmetry and proportion balance. The main façade has a magnificent portal, topped by a large rose window, and sided by two bell towers with a pyramidal ending. In the interior, baroque, a special note to the altars in polychrome and golden carvings.

Female Dominican monastery with original features of Manueline architecture (such as the portals), denoting after the deep reforms that suffered: Renaissance (the cloister), Mannerist (the chancel and the chapels of the cloister arches) and Baroque (gilded finishes and the facade of the West Wing). Currently, works here the Museum of Aveiro.

On the facade of this temple, the Renaissance portal stands out, topped by a pediment interrupted by a niche with the sculpture of Saint John the Baptist. Highlights include the 15th century triumphal arch, the “Baptism of Christ” altarpiece by José Malhoa and mannerist paintings from the Diogo Teixeira cycle.