The date of construction of this temple is estimated to have been in 1262, judging from the patent application at the entrance, although it may correspond to the reconstruction of an ancient monastery of an eremitical 11th century which, in turn, was erected on a building-7th century Visigothic suevic-archaeological excavations carried out in 1991 revealed ama structure belonging to a pre-Romanesque temple. To point out the existence of an image of our Lady of Meinedo, in limestone and with traces of polychrome, which is one of the rare examples of Romanesque sculpture in Portugal.

The classification refers to the 15th century fresco painting, located on the back wall of the chancel. The fresco represents Saint Peter and Saint Paul, with traces of three angels in the center.

Typically Romanesque church, with some traces of the former Benedictine monastery, as is the case of the cross and the font.

This religious monument consists of a three-bay nave, a chancel, side chapels, a sacristy, and a bell tower. The main façade consists of a rounded portal and a circular oculus, flanked by a bell tower, the upper one having a double bell tower. This façade features a window overlooking the Stations of the Cross. The interior features the baptistery, which houses the baptismal font, the Mannerist niche, the painted panels of the chancel and altarpiece, and the Christ the Redeemer statue on the tabernacle door.

Built, probably, in the XII century, it was rebuilt in the XIII century by the Templar, and suffered later various acts of vandalism, being reduced to ruins. It suffered successive interventions and is now a work mainly from the XIX century.

13th-century building, rebuilt after the 1755 earthquake. It maintains the Gothic structure and portal. In the main chapel is the tomb of the seven Knights of the Order of Santiago killed by the Moors in an ambush, which legend associates with the conquest of the city. From the collection of sacred art, comprising pieces of goldwork from the 16th and 18th centuries and vestments, a missal stand from the 16th / 17th centuries, from Japan (“nambam” art) deserves special mention.

A Gothic temple whose decorative design extends beyond the church's structure. The main façade features a portal topped by a rose window. The three-nave interior features eight arches supported by columns with capitals decorated with phytomorphic motifs. A highlight is the Gothic-style holy water font.

Commissioned by King Afonso II in 1215, this church was destroyed by an earthquake in 1429 and rebuilt from 1433 onwards. In the last quarter of the 15th century, the tombs of Don Diogo and Don Lopo were built here. Of particular note are the Gothic triumphal arch, the 16th-century tombs, the Mudéjar tile panels, and part of the original altarpiece. In 1921, the Abrantes Regional Museum was established here.

Architecture of religious type, consisting of chancel, nave, sacristy, belfry and side chapel. This is private and belongs to the family Pinto da Fonseca. This construction there are only ruins, but you can still see the square base of the pulpit and the respective ladder, the triumphal arch broken and, laterally, the tables of the side altars.