A small fajã located between Fajã da Ponta Grossa or Fajã do Mero and Fajã da Abelheira. It is almost completely abandoned, except for the inhabitants of Norte Pequeno, who come here to graze their cattle and cultivate the land. There are many springs, and it is known that an old watermill once stood here. Access is on foot, via a shortcut that begins in Norte Pequeno, or by car, descending the Fajã da Penedia path to Canto da Abelheira, then continuing on foot.

The Casa do Vale das Hortas was once one of the largest weaving centres in the municipality of Alcoutim, being today a pleasant cottage. Offers six rooms, all including bathroom and three common rooms, with fireplace and a cosy bar. The House is still equipped with traditional algarvian cuisine and a salt-water pool. There is still room for cycling, hiking, making small or even visit the garden of the House.

This castle is located at the top of Cabeço da Penenciada, approximately 681 meters above sea level, between the Angueira and Maçãs rivers. This small fortress, which once served to defend the Sabor River, today serves as a privileged viewpoint over Trás-os-Montes. Some points can be identified: Miranda do Douto (Northeast), Vimioso and Outeiro (North) and Penas Roias and Mogadouro (Southwest).

The Almedina Arch was part of the medieval walls, dating back to the 11th century, as indicated by the Arabic-origin toponym meaning "the city". Today it is the entrance to old Coimbra, where one can see a sculpture from the workshop of João de Ruão. The wall has Roman origins, having been expanded several times. It presents characteristics of Roman, Muslim, Romanesque, Gothic and Manueline architecture.

Residential home designed by Alberto Vilhena de Carvalho and José Vilhena de Carvalho. Consisting of two floors based on a rectangular plant, the facade is disastrous and it highlights the structural elements, whose traces are simple and sober. Today only preserved a part of the Palace before, why are no longer some characteristic elements of this architecture, beyond which are still visible the damage caused by projectiles, in 1810.

Once used freely by the population since the end of the 18th century, the Termas da Fadagosa de Nisa is today a modernly equipped thermal set. The Fadagosa spring is located 11 kilometers from the town of Nisa, and its waters are especially suitable for respiratory tract disorders, skin diseases and dermatological pathologies, physical medicine and rehabilitation, metabolic-endocrine diseases and rheumatic and musculoskeletal disorders.

Its construction began in 1866, having been inaugurated only in 1928. Several reasons justify the delay in construction, but the main thing is relative to lack of funds, that would be resolved only when the Theatrical Social Bejense negotiated with the Lee Castle. Today is the main halls of the show in the South of the country, with a capacity, in the audience and counter, 622 places. Is also composed by Studio Room, cafeteria and foyer.

The modest Our Pension has changed and today is already the Paços Ferrara Hotel. The restaurant, which was carrying the same name, changed also. Is more modern. Such as pension, also the name of the restaurant changed. Now it's called Aidé, in tribute to the grandmother of the owner and founder of space. Doesn't change the food quality, with taste of home, like the ox loin roasts, tripe of the port and the gelding to Freamunde.

Of the Romanesque construction of this important monastic church, first by the Canons Regular and later by the Dominicans, we can only point out the structure of the chancel, where the rose window stands out. All the rest of the monastic set, valuable for its artistic capital and for its local and regional influence, is the work of the Modern Period. We highlight the Baroque interventions that reveal a period of space revitalization in the 17th and 18th centuries.

This church is in honour to Tomar city Patron Saint: Santa Iria. The present church resulted from the improvements done on the 16th century, standing out the fifteen hundreds door and a lateral chapel from João de Castilho. In this chapel stands out the stone altarpiece and the renaissance decoration (two Indian busts are quite remarkable). The altar, in Ançã stone, is attributed to João de Ruão. It stands out the church nave covered with glazed tiles from the 17th century; the main chapel covered with ribbed vault and the golden carving altars. The classification only refers to the entrance …