The construction of this building started in 1520 and lasted until the end of the century. The project is due to John Lee, the younger. Is one of the most interesting works of civil architecture of the time. The façade, facing the square, is formed by two balconies alpendradas with columns that are based on carved lavishly arched colonnades of arches of volta redonda. The encimar facade is a triangular pediment. On the West side, the granite portal, with various sculptures.

Despite being a Hermitage of medieval construction, reconstruction is expression chã, but was careful to keep the base structure. The chancel was renovated and became more narrow. The main façade, surmounted by a Latin cross, is torn by round arch portal and has small Windows on the sides. The interior features three sections defined with pillars that divide the 2 ships, one being quite narrow, unique feature in this region.

The main façade stands over a landing where one arrives from a stairway, under which there is passing water. One should notice the three stonework portals with a straight rod in architrave, the taller middle one, with an interrupted triangular gable, a cruxifix and forged iron gratings. Inside, one should pay close attention to the sculptured panel and to the side walls with blue painted wood.

Enlarged and remodeled in the 18th century, the Romanesque elements remaining in this church point a chronology right for your edification late, which will probably occurred between the 13th and 14th centuries. Medieval construction kept the main portal primitive, consisting of two slightly broken and archivolts supported by columns with capitals, whose sculpture is well attached to the basket. This season, also preserved an arcosolium, the outside of the south wall.

Located on the south bank of the Tâmega River and bordering Santa Maria de Sobretâmega, the Church of São Nicolau, next to the old Canaveses Bridge, displays a late design within the context of Portuguese Romanesque architecture, evident in its column-less, capital-less portals and plain corbels. This church preserves, though very fragmented, important remains of mural painting from the 16th and 17th centuries.

16th century church with Manueline portal, consisting of nave and chancel. The façade is distinguished by the Royal arms, with the date of 1808, and a Latin cross in the top. Inside are an altarpiece of João de Rouen, the talha, the paintings of the caissons and the two painted canvas of lateral cloths, representative of the visitation and da Nossa Senhora da Conceição. In 1810 was the target of attack by the French troops who destroyed the registry's mercy.

Small and picturesque village, built on a slope on the Tagus riverbank, where the colorful flowerbeds stand out in contrast to the white of the houses. From here you can see the beautiful Almourol Castle, learn about the region's crafts and visit exhibitions at Casa das Artes.

Less than 30 people live in this small village of the Seremil parish, Amares council. It stands out for its old houses built with stone blocks, the cobblestone streets and the staircases between the houses. A special note to the surrounding espigueiros (small cereal warehouses) as well.

Located on the pit of the old Porta de Évora (Évora Gate), this space stands out for the aroma of the orange trees. Harmonious decoration, composed of geommetrical boxwoods, with two lakes in between them. Entrance by the door of the Largo 25 de Abril (April 25 square).

Ancient medieval fortification located at an altitude of 1033 meters. Currently, almost in ruins, it retains an enclosure delimited by walls and two doors. The Porta do Sapo (Frog Door) stands out. At the site of the primitive rock fortification, there are traces of prehistoric and Iron Age occupations.