Upon arrival, a viewpoint with a chapel awaits us, from which the name of the beach derives. Located between cliffs, this beach offers excellent conditions for pleasant days in the sun. The beach has a concession area, as there are several tourist sets nearby. Boats depart from here to visit the cliff caves that abound here.

Restaurant belonging to the hotel with the same name, where you can glimpse traces of its former function: a milling factory. Rustic and cosy place offering dishes of typical Alentejo cuisine. After lunch we suggest a visit to the Museum, where you will meet a grinding operation with more than 100 years.

Caves discovered in 1971 that feature a gallery/room/shaft configuration. They have beautiful rooms and galleries filled with limestone formations, with a visitable length of 350 meters and a depth of 45 meters. There is an underground bar located in an adjacent cave, Cova da Moura, where there is a fully illuminated cave extending for about 50 meters.

It was built in the 1960s and covers approximately 38,000 square meters. Surrounded by a wall on all sides, it is bordered by houses, the river, the school, and the park's facilities. Currently, it belongs to the Regional Directorate of Agriculture of Trás-os-Montes. It is an excellent place to visit with family and friends. There are spaces for running, playing, picnicking, fishing, and even swimming in the river.

Church probably built in the 13th century or 14TH CENTURY, consisting of a longitudinal plan with two juxtaposed rectangles, divided into a nave and a chancel lower and narrow. This temple features, on the façade, the portal with ridged and Romanesque rosacea imposed and, laterally, a port also Romanesque. Here he married the infanta d. Maria, daughter of d. Afonso IV.

Manueline chapel dated from the XVI century, of which remains the ogival arch of the transept. In 1554 the principal chapel was covered with Azulejo Sevilhano (glazed tile) and the body of the church, as well as the portal were repaired. In the XII century the retable and the pulpit were built. Later, in the XVIII century the collateral retables and the wood ceiling were placed.

On the main facade of this church, stands a Manueline portal of Arch of carena. The interior is of a ship, 1468-lined and covered with roof of mixer painted. The chancel is of the late 18th century, and here, a large canvas of Pedro Alexandrino, "Supper", in 1802. In the chapel of Santo António, flooring tile "carpet" and the Tabernacle of the altar in carved 17TH century, overlaid by a crucifix in ivory.

The church was rebuilt in the 16th century, but today it retains little of its original design. On the main façade, the Manueline portal, framed by pilasters with Renaissance decorative elements, and the 16th-century bell tower stand out. Inside, the 18th-century tile cladding, the Baroque carved altarpiece, and the 16th-century paintings of an old altarpiece deserve special attention.

This Romanesque Church testimonies were dated as being from the second half of the 13th century or even in the 14th century, while the Romanesque's testimony of resistance, or even our rural Gothic. The main portal is adorned on grounds of pearls, drawing parallels with other buildings of the same period and territory. Along the modern age suffered various transformations.

The Romanesque church of the monastery of Pombeiro was one of the few in Portugal to obey the plan of three naves, which reveals the importance of this House in the medieval context of the country. Over time, Pombeiro became head of the land of Shah, arriving to take under its patronage 37 parishes. This Romanesque period only the two absidíolos and the main portal, four archivolts.