It is believed that this place has been inhabited since prehistoric times, as indicated by numerous findings. The first fortification would date from the reign of Dom Afonso III, although the most likely date is from the 15th century. During the reign of King João II and/or King Manuel I, the medieval castle and the Torre da Roqueta were rebuilt. In 1700 and 1799, during the reign of Philip II, it underwent further repairs and reconstructions. Attesting to these works, a rococo royal coat of arms stands out over one of the main doors.

Although the antiquity of the church is evident in the thickness of the walls, clearly visible in the deep cut of the windows, and it is believed to have Romanesque roots, the temple probably only dates from the 14th century. It underwent extensive renovations in the mid-18th century, which gave it the baroque and rococo character it presents today. Inside, with a single nave, the domed and paneled roof, with 66 paintings, and the main chapel ceiling, which is divided into 18 paintings, stand out. The altar features a gilded altarpiece. Tradition says that this church was built by Queen …

This is a Gothic temple from the 14th century, which baroque door and the main chapel enlargement were the result of several reforms performed during the 18th century. On the interior it stands out the main altarpiece with neoclassic influence dated from the ends of the 18th century, the rocaille organ and a seventeen hundreds seating. It used to make part of São Domingos Convent, which was destroyed in the end of the 19th century maintaining the Gothic cloister from the 14th century, classified as a National Monument and which is integrated on the Archaeology Museum from the Sociedade Martins …

The first stone of this building was laid on July 3, 1649, during the reign of King John IV. The new Monastery was built to house the body of Queen Saint Isabel and the Poor Clare nuns from the original Convent of Santa Clara, which was in an advanced state of disrepair. The church, with a single nave, consists of a choir and a chancel. In the lower choir is the original tomb of Queen Saint Isabel, executed by Master Pero in 1330, a work sculpted from a single block of limestone. On the walls, tiles and altarpieces from the …

Restaurant with a curious configuration, where stands out the rusticity of the circular room, surrounded by large glazed walls. Beautiful views over the islands of Pico and Faial, accompanying the good home-cooked meal be expected from budget hotel in wood ovens. Open since 2003 by a Galician who fell in love with the island, features several traditional dishes, a mixture of Azorean cuisine with galega. Among the specialties, especially the fish Cataplana, the Parrilhadas, the Limpets, clams of caldeira de Santo Cristo. Complete with avocado mousse. The restaurant is in the hotel project integrated Mills.

The Theatro Club was commissioned in 1904 by Antonio Lopes, from the architect Moura Coutinho. The architectural style is particularly relevant in Portugal through the decoration of the facades, especially the use of tiles. Inside, the auditorium stands out, profusely decorated with paintings covering the entire ceiling and the wall surrounding the proscenium arch. The Municipal Exhibition Gallery also operates in this building. In addition to individual or thematic exhibitions, it annually hosts an Open Exhibition of Visual Arts in August, aimed at anyone who demonstrates sensitivity or interest in exhibiting their work. It was listed as a Property of …

Located next to the Douro river, it is the most authentic area of the city. Here, you can wander among popular vendors who join in the conversation, choose an esplanade to rest or a typical restaurant to taste the Porto cuisine and regain strength. This site contains numerous monuments, from the statue of São João, work of João Cutileiro, which came to occupy the niche of Fonte da Ribeira that was empty for more than 200 years, to the Muro dos Bacalhoeiros (continuation of Muralha Fernandina) which constitutes a great place to enjoy the views from the banks of the …

Dating back to the 16th century, this fortress has undergone several renovations over time. This fortification preserves a strong wall with ravelins and a tower and is traversed by a corridor that continues under the vault of the old tower. The reconstruction that took place in 1960 defaced the site by attempting to restore its false authenticity. In the early 20th century, the Compass Rose was discovered, drawn with stones embedded in the ground, which is believed to be contemporary with Dom Henrique. At the Sagres Fortress, in addition to enjoying the cultural heritage and stunning views over the Mareta …

Church with a single nave, chancel and vestry, example of typical Alentejo countryside architecture, which suffered major changes in the 18th century Baroque taste. Religious building adossado the attachments with compartments assistive function. Inside stands a wall with Gallery of Examiners, composed of four padded tables, counter the triumphal arch, apilastrado, with the national shield painted. In the chancel enhances the domed polinervurada coverage of edges, completely covered with murals, tile-lined side prospects, representing the works of mercy and biblical subjects and false Windows, freshly painted with lobes and carved finials. The high altar is in gilt, with Solomonic columns …

The monastery was originally founded by Dona Mor Dias in 1283. In the 14th century, Clement V granted permission to Dona Isabel of Aragon to found a new monastery, which was established on the same site, with the renovation and expansion of the old buildings. The church was consecrated in 1330 and suffered its first floods in 1331. The degradation caused by the floods led to its abandonment in 1677. The church, with its vaulted nave, is an example of mendicant Gothic architecture. Notable features include the remarkable Hispano-Moorish tile panels, the rose window on the western façade, and the …