The Santa Luzia ArtHotel, located in the historical center of Guimarães, combines the comfort and modernity of a four-star hotel with a traditional space. Decorated with local materials - wood and stone - in neutral tones that create a discreet connection to the architecture of the city, this hotel intends to establish itself as a cultural reference point and meeting point between the locals and the visitors of the region. The hotel has a library, spa, outdoor pool and a restaurant serving Mediterranean cuisine.

It is the preferred green space for the inhabitants of Santarém and the most beautiful viewpoint in the city, offering superb views over the Tagus River and the vast, expansive floodplain. Located within the walled area, it boasts the remains of two medieval gates, various species of large trees, birdcages, a playground, and numerous benches. It also houses the Urbi Scallabis - Interpretation Centre, a space where archaeological finds from the old Alcáçova (citadel) can be found.

In the city's historic center, noteworthy landmarks include Praça da República, Largo de Santa Maria, Arcos dos Prazeres, Rua Aresta Branco, Rua dos Infantes, Rua do Touro, Rua da Guia, Rua dos Pintores, Rua Manuel de Arriaga, Rua da Ancha, and Rua Abel Viana. Numerous monuments of great architectural and heritage value can be admired here.

It has a peculiar location, as it is surrounded by two houses on a street close to the main church and the city center. Built in the 16th century, this chapel, of Manueline religious architecture, is attached to a manor house with internal communication through the upper choir. Its most notable features are the quartered coat of arms, the 16th-century portal, the triumphal arch, and the coffered vault. In 1808, it is believed to have sheltered Junot's troops during the French Invasions.

The Municipal Museum of Archaeology is located in the building where, during the 80s, was the City Hall. This space has areas of study, preservation, restoration and storing of the materials. There is also a small thematic library. The museum’s collection is deeply in touch with Albufeira’s history, from the most remote pre-historic days to the 17th century. The collection is divided in five thematic parts: pre-history, Roman period, Visigoth period, Islamic period and modern ages.

After more than a century of activity, the Raul da Bernarda company decided to open the museum's doors to the public in 2000, on its own initiative, making it possible, since then, to learn about the history of the oldest earthenware factory in Alcobaça. In addition to the "Raul da Bernarda Ceramics Collection," there is also the exhibition "The Costumes of the Rancho do Alcoa, alluding to Alcobaça pottery," which portrays the historical, ethnographic, and artistic memory of the city.

Initially built as the Jesuit College Church, the first stone was laid in 1652. However, construction only began in 1680. The buildings that flank it were never finished and today houses the Museum of Horta and the City Hall. The church became a parish church in 1825, due to the advanced state of degradation of the previous church. The church's facade is made up of four floors and its interior is made up of a single nave and three interconnecting chapels.

Located near the city's courthouse, this 1930s building stands out for its interesting and extensive collection of tile panels. In total, there are 55 figurative panels, along with eight decorative ones made in the old Sacavém Factory, featuring tourist and regional promotional motifs. The building, which has a distinct architectural style, was built on the site where the old open-air market was held for centuries, in what was known as Praça Velha.

This chapel is dated from 1672 and it is composed by two distinct bodies. The simple façade does not denunciate the artistic richness on its inside. Here it is possible to find one of the most important repositories of sacra art in the city and a joint of beautiful glazed tiles composed by historian panels from 1698 done by the painter Gabriel del Barco. The church body is covered by baroque carving and glazed tiles from the 18th century.

13th-century building, rebuilt after the 1755 earthquake. It maintains the Gothic structure and portal. In the main chapel is the tomb of the seven Knights of the Order of Santiago killed by the Moors in an ambush, which legend associates with the conquest of the city. From the collection of sacred art, comprising pieces of goldwork from the 16th and 18th centuries and vestments, a missal stand from the 16th / 17th centuries, from Japan (“nambam” art) deserves special mention.