18th century Church, with Classicist architectural elements, consisting of: nave, chancel and sacristy. The bell tower that borders the main façade. The highlights of this church are in the interior: in side altarpieces, Confessionals and altar, of neoclassical structure, painted in blue and white with gold ornaments, niche and marble columns. The altarpiece and the two side of the chancel are recent.

16th century Church consists of nave, chancel, baptistery, sacristy, belfry and sanitary facilities. The façade is painted white and features, above the door, a stained-glass window and an oculus, for where to enter part of the light. Inside, one of the highlights go to the font of the late 16th century and the main altarpiece of the neoclassical style.

Built in 1719, this church was rebuilt in the mid-19th century. The facade features a portal flanked by two bell towers and a sculpture of Saint Michael. Access to the church is via a staircase made up of several baselines with intermediate levels. Of particular note are the baroque gilded altarpieces and in particular the main altarpiece, from 1731.

Romanesque temple built in the 12th century. On the front it has an ornate arch, supported by double columns and capitals. The decoration of the capitals deserves to be highlighted. The main facade is a short distance from the rock mass and was placed in the direction of the slope. Animal designs on the axial portal that signify the guard of the entrance to the temples and their sacred interior.

The church has a façade flanked by bell ringer towers, triangular gables, the nave is in vault shape and the main chapel is covered by a dome. The inside has a rectangular plan and it is covered with glazed tiles panels within the type “carpet”. The baptismal chapel is wrapped with the same glazed tiles used on the church nave body.

It is also called “Rebelo de Andrade” or Ceia Palace. This building from 1760 suffered some additions in 1840. placed on a sloping area, it has three floors in the main façade and four at the laterals and posterior façades. The noble floor differs from the others for the treatment given to the ashlar masonry and the iron on the balconies.

Late-baroque church with chancel. The ceilings are made of wood and there is a bell tower attached to the left side facade and a sacristy to the opposite. Inside it has a high choir on columns, a baptistry on the Gospel side, four confessionals, a pulpit on the Gospel side, and two altarpieces and the late-Baroque main altarpiece and two collateral altarpieces.

The original construction date, probably from the late Middle Ages, having been rebuilt in the 18th century. Presents a plant consisting of a single nave, a rectangular chancel and a vestry located near. On the frontispiece is a double Bell and a straight Dick portal. In the interior, especially the lateral altarpieces and the main altarpiece of carved polychrome.

Built in 1530, the temple underwent several alterations, mainly during the 18th century. From the original design, it retains the giants that support the main chapel. It features a round-arched portico with cherubs. Inside, one can see the tomb of Jorge Melo, dating from 1540, one of the most sumptuous in Portugal.

These gates represent the main entrance to Ponta Delgada and are the true landmark of the city. Their three imposing arches, built in the 18th century, open up to tourists everything that Ponta Delgada has to offer. Next to the City Gates stands the statue of Gonçalo Velho Cabral and the old buildings of the square bearing the navigator's name.