A church of Gothic, proto-Baroque, and Baroque architecture, with an attached sacristy, a single nave, and a chancel covered in white and blue tiles dating from 1695 that extend to the triumphal arch. The main altarpiece dates back to the 17th century. It is notable for its antiquity and for being the first Christian religious building in town.

The chapel in the village of fields, dedicated to Santo Amaro, is a granite Temple of East\/West oriented rectangular plant. The main façade has a ported rectangular and in the elongation of the gable, a Bell Tower, decorated with volutes and surmounted by a Latin cross. Inside stands the high altar in gilt which houses religious imaginary.

Very welcoming country house, situated in one of the main cores of the Montesinho Natural Park, beside the river Sabor. The location of this home boasts a bakery, with local confection of bread, sausage and restaurant industry. Composed of five rooms has fireplace, kitchen, heating and all conditions necessary for a comfortable stay.

A statue that is a tribute to a main character of Paços de Ferreira. The republican (meaning pro-republic and against monarchy) doctor Leão de Meireles was a most influential figure in the parish after the Republic was declared. He was an administrator of the parish, president of the Town Hall, a deputee and a senator. This statue was inaugurated in March 1924.

Set of three sources (originally there were four), built between the 16th century and the 17TH century. Are sources of diving with go back on main façade, giving access to the interior, where coverage appears in vault or flat coverage. One of the three sources presents more elaborate elements of Mannerist influence.

The original Romanic temple founded in the middle on the 13th century suffered deep changes on the 18th century that granted it the present aspect. There is a rectangular deep main chapel where crossed there are the lateral chapel and the sacristy. It stands out the carved altarpiece with two niches sided by two Solomonic columns framing the throne.

Romanic church from the last quarter of the XII century. The temple, with three naves, was sacred in 1206. It suffered transformations on the XVI, XVIII and XIX centuries. Outside the eye-window and the portal with columns and decorated capitals stand out. Inside are worthy of notice the retable at the main-chapel and the gothic portico of the chapel.

The church of the Capuchos was built at the beggining of the 17th century and has a façade with arcades and a niche, which is charactristic of the Capuchos architecture. It has an important set of 18th century tiles in the main chapel, representing each step in Saint Anthony's life, and on the side walls, representing Saint Anthony's death and the descent of the cross.

Church with buttresses topped by pinnacles and the entire top is battlemented. On the main façade, the portico, topped by an oculus, has a round arch, supported on pilasters and with a triangular pediment. Inside it has a single nave, covered by a barrel vault, decorated with tempera paintings. The walls are covered with "standard" tiles from the 17th century.

This is a Romanic church constructed on the same place where it used to be a former mediaeval necropolis. It presents a longitudinal plan composed by two juxtaposed rectangles, where it stands out on the main façade, and the doorway in round arch and the lateral doors in lancet arch. The mediaeval temple was built between the 12th and the 13th centuries.