A park with stone tables and benches, much vegetation and luxujrious trees.

Has two swimming pools: one indoor and one outdoor, for the warmer season. It has swimming and water aerobics classes for adults and children.

A place with amazing views of the neighbouring hills.

Set four megalithic dolmens, some with engravings on its mainstays.

Casa do Lavrador is a rural and ethnographic museum, which is part of the Cultural and Recreational Association of Santa Cruz do Douro. It was built in 1999, in honor of Augusto Gomes dos Santos, honorary president of the Portuguese Folklore Federation. This space portrays a peasant's house from the 19th and early 20th centuries.

Small dimensions temple that we can include already in the Gothic period, although of possible previous foundation. Simple façade, where a portal with a broken arch opens, with two archivolts, the interior being decorated with spheres. Despite the sobriety of the building, with few spans and heavy verticality, the interior features one of the most important mural painting from the 15th century preserved in Portugal.

Located over the river Ovil, Ponte de Esmoriz is framed in a landscape still marked by a strong rurality. As in the case of Panchorra, in Resende, the Ponte de Esmoriz reflects the late use of quite remote constructive models. Consisting of a single round arch, it is part of the set of road crossings associated with the religious and economic importance of the neighboring Monastery of Ancede.

It comprises five monuments and two associated peripheral structures, part of the Serra da Aboboreira Megalithic Ensemble. In this core there are monuments dating from the Middle Neolithic to the Bronze Age.

Pedestrian route on Roman pavement between Ancêde and Ribadouro, on the left bank of the river Ovil, with about 2800 meters. It is one of several legacies left by ancient civilizations and, like other Roman pieces, this one was made using large stone blocks buried in a foundation. At the beginning of the route there is a large information board used for exploring this route.

Of the Romanesque construction of this important monastic church, first by the Canons Regular and later by the Dominicans, we can only point out the structure of the chancel, where the rose window stands out. All the rest of the monastic set, valuable for its artistic capital and for its local and regional influence, is the work of the Modern Period. We highlight the Baroque interventions that reveal a period of space revitalization in the 17th and 18th centuries.