Established in 1911, this museum represents the island's culture, showcasing regional ceramics, agricultural implements, basketry, ethnographic pieces related to the cult of the Holy Spirit, and linen works primarily from the 19th and 20th centuries. Also noteworthy is the collection dedicated to Maestro Francisco de Lacerda, a native of São Jorge Island.

New cultural space in the city, situated on the banks of the river Nabão. Its name derives from the ancient measures of ability, the bushel and almude, time, currently designated as "cubes". Some of the services available are: cultural animation Division services, monitoring and environmental interpretation Center, senior University and space for exhibitions and training.

Boutique hotel located near the medieval village of Marvao and da serra de São Mamede, with thirteen separate furnished rooms and well equipped. The building, dating from 1919, was renovated in 2007, keeping a alentejana typical moth. Features a library, restaurant with regional dishes and good conditions for the practice of hunting.

Due to the rocky base of the wall's sections, the citadel's fortifications are irregular. Inside the fortress, highlights include the Chapel of Santa Bárbara, the round bastion, the large cistern, the casemates, and the entire parade grounds. The citadel served as a political prison from the 18th to the 20th centuries. This space houses the National Museum of Resistance and Freedom.

The building's main portal is topped by a triangular pediment and surmounted by an oculus flanked by two crevices. The interior features three naves, divided by arches and supported by Tuscan columns. The chancel features a ribbed vault with smooth quoins. Particularly noteworthy are the 17th-century carvings on the altars and the tile covering from the same period.

Built in 1719, this church was rebuilt in the mid-19th century. The facade features a portal flanked by two bell towers and a sculpture of Saint Michael. Access to the church is via a staircase made up of several baselines with intermediate levels. Of particular note are the baroque gilded altarpieces and in particular the main altarpiece, from 1731.

Romanesque temple built in the 12th century. On the front it has an ornate arch, supported by double columns and capitals. The decoration of the capitals deserves to be highlighted. The main facade is a short distance from the rock mass and was placed in the direction of the slope. Animal designs on the axial portal that signify the guard of the entrance to the temples and their sacred interior.

Tumulus barely visible in the landscape, located a few meters from the road which connects Pitons to Tourém, belonging to the Megalithic Necropolis of the Mourela plateau. Presents between 15 and 16 meters in maximum diameter, a very sharp central depression, where there is a great mainstay, not being visible remains of lytic Cuirass.

Tumulus with about ten meters in diameter, located about thirty meters from the town of crane, right next to the path that connects to the same. Features remains of lytic and a breastplate "tumuli" reasonably visible, a result of the great depression. The Chamber there are four mainstays that outcrop at the surface, some of them to about half a meter.

This Romanic church maintains the corbels around the building. On the main façade a portico stands out topped by a round window and on the posterior façade, there is a niche all in worked stone where it is possible to admire a sculpture from the Patron Saint in Ançã stone. The inside has one only nave with painted coffers on the ceiling.