Built in the XVI century, it doesn’t keep, with the exception of the walls, marks of that period. The main façade presents renaissant and baroque ornaments. Inside are worthy of notice the XVIII century paintings.

Church of longitudinal plan with nave, chancel, vestry and Bell Tower. You can spot her across the Roman bridge of Ponte de Lima, a moment of great beauty.

Worthy of notice are the masonry work portal surpassed by a rectangular window and bell tower, a characteristic of the Baixo alentejo baroque.

The primitive temple was built in 1626. In 1644 it served as a refuge for the population during the Castilian offensive, and was then destroyed. Rebuilt in 1683, it was damaged again during the War of Succession. In 1733 it went from a structure with three naves to a single nave. The church, overlooking the village, has a facade with a niche and the bell tower.

Built in the 14th and 15th centuries, it is one of the most striking examples of mendicant Gothic architecture in Santarém. The façade is worth admiring, particularly the rose window and the flamboyant portal, while the interior has three naves with pointed arches and two wings of columns with capitals ornamented with vegetal and anthropomorphic motifs. This national monument was once a convent of Augustinian friars and houses important tombs such as that of Pedro Álvares Cabral, the discoverer of Brazil.

Architecture of religious type, composed of narthex, nave, chancel, vestry, sanitary installation and a Division wide parallel to the nave of the Church. The facade is of simple lines, with some shots in granite and other yellow and the Bell Tower, also added in the 18th century. A small reminder to the main altarpiece with 18th-century painting from the center that dates back to the 18th century

Baroque church with a single nave, high choir, chancel, and sacristy attached to the chancel. The altarpieces are carved, Rococo, and feature wooden imagery.

This church stands out the ornamental elements as figurative panels of tiling, one signed by António Pereira, others assigned to this master and Gabriel del Barco. Note also the gilded altarpieces of the chancel.

16th century temple with Renaissance portal, which features two busts and a bas-relief with the Lady of Mercy. It is topped by three images and surmounted by two oculus. It has a single nave, highlighting the blue and white tile covering, with flowers motifs. The classification covers the entire filling.

This Romanesque church presents a rosacea with the star of David and a Bell Tower in the central part of the facade. The interior is very rustic and presents a sharp slope and granite outcrops.