This carved into the rock lagareta consists of two sinks, a rectangle connected to another circular in plan. Near this site there is a grave in a poor state of conservation where, according to popular tradition, the oldest was erected the Church of Vila Chã de Sá.

This Venerable Church of Ordem Terceira de Nossa Senhora do Carmo was built in the 18th century. With a facade of great simplicity, presents the typical baroque interior, lined with gold. The dome and the dome are 18th century paintings by Pascoal relative.

Baroque church built probably in the first third of the 16th century. It was then enlarged in 1721, when it was also bronze Bell donated by the Bishop of Elvas, Dom João de Sousa Castelo Branco. In the chancel, highlighted by the frescoes of the Baroque period.

Built in 1912 by the merchant Manuel de Jesus Belmarço, it is a revivalist palace, with a rectangular plan and two floors, with bourgeois characteristics. One should notice the volumetrics of the corner turret, the stonework coat of the main façade and the diversity of the spans frames.

This baroque temple construction was ordered by the abbot Afonso de Meira Carrilho on the XVIII century. It stands out its sculpture from the Saviour, an oeuvre done by the Master João Alves, dated from the XIX century and for the baptismal font.

Church founded in 1520, where one can find the grave of Diogo Lopes de Sequeira, 4th Governor-General of India, great discoverer and browser of the seas of Africa and the East and still alcaide-mor from the village of Alandroal.

The church must have been built in 1714. Two moments mark its existence: the sack at the second French invasion and the several damages during the Porto siege. The church shelters the image, in limestone, of Nossa Senhora de Campanhã.

Also known as Quinta de Verdemilho, this farmhouse was built between 1720 and 1750. Contains a shrine and rectangular plan, bypassed internally by a path. Near the gate and located near to the wall is a stone of arms with the arms of Quevedos or Pizarros and Sousas.

These are only fragments from the pillory which until half of the 19th century was in Largo de São João in front of the City Council house and next to the Chapel of São João and Cabo House. The others remnants from the pillory are missing.

This bridge was constructed under the Gothic style with mediaeval origins linking River Coura both banks in Vilar de Mouros, near Nossa Senhora da Piedade chapel. It is characterised by three arches in which the central is the bigger one.