Built between 1570 and 1646, it has a tripartite main façade with embedded pilasters. The central part features a wide round arch forming a narthex, surmounted by three windows with three pediments. On the sides, two strong bell towers covered by domes are visible. Inside, with three naves, the silver liturgical objects and vestments woven and embroidered with gold from the 16th century stand out. It is also known as the Church of Our Lady of Expectation.

It is located in the medieval area of the village of Castelo de Vide, next to the castle, in the former Jewish quarter, as documented in the 14th and 15th centuries. The neighborhood was crossed by one of the castle's main communication routes, and its disintegration began during the reign of King Manuel I, following the decree imposing Catholic obedience on the Jews who, to avoid being forced to leave the village, gradually converted to New Christians. Hebrew symbols can be seen on some doorposts.

This religious monument consists of a three-bay nave, a chancel, side chapels, a sacristy, and a bell tower. The main façade consists of a rounded portal and a circular oculus, flanked by a bell tower, the upper one having a double bell tower. This façade features a window overlooking the Stations of the Cross. The interior features the baptistery, which houses the baptismal font, the Mannerist niche, the painted panels of the chancel and altarpiece, and the Christ the Redeemer statue on the tabernacle door.

Baroque rural church with a single nave and a chancel. The interior features Baroque gilded woodcarving in the “national style,” though already showing Joanine influence. It is possible that it was built during the 18th century to replace the old Romanesque church, of which only a few remnants remain. The main façade is marked by the doorway and the large choir window, both with straight lintels. To the left rises the bell gable, with two semicircular arches and two bells of different sizes.

Built between 1383 and 1410, it is a reference of the Gothic monumentality of the city, with an emphasis on the Romanesque portal with three arched gateways, the rosette symbolizing the Rosa Fortunae, the windows of the Manueline period and the three naves where the interior is divided, covered with gilded carving from the 17th and 18th centuries. It belonged to the Convent of the Observant Franciscans. The interior, of three naves, is highlighted by the 17th / 18th centuries carvings, frescoes and board in the main chapel, transept and sixteenth-century tombs.

Its construction took place between the years 1721 and 1724, on a project by the architect Gaspar Ferreira. It comprises a nave, a sacristy and a dispatch room. The filling it received for the interior turned it into a fine example of Baroque art from the Johannine period. Highlights include tile panels with Christian symbolism, referring to scenes from the New Testament, scenes from the lives of Mary and Jesus, tiles from Fábrica do Rato in the sacristy and details of the main altarpiece.

The restaurant Bola de Prata, on guard, reopened in 2013, with a new approach. From traditional snack bar is assumed now with a modern Tavern, with traditional dishes and good snacks. Gizzards, woodpecker, blood sausage and pig ear Guard are some of the options to consider. If you choose the ordinaries (6,50 €, with entrees, soup, main, dessert and coffee), the right choice is the posta mirandesa. In the cold winter days beirão can rely on the warmth of the fireplace.

The gastronomy of this House is based essentially on the grill, but the Masada of grouper and shrimp Gumbo, both per order, specialities are not despise. At the entrance there are ROEs, clams, shrimp, scallops and razor clams. The main dishes are the scaled red mullet with sauce of "livers" (House Special sauce), the lamb chops, kebabs and spare ribs of Iberian black pig meat. Conventional sweets and conventual. Upon reservation, and for groups over 10 people there are still fish and meat casters.

A building located in the city center, with neoclassical features. The facade is covered in beautiful yellow tiles, except for the entrance which is rusticated with columns. There are two arbors attached to the property wall. Inside the building, there are two symmetrical ponds, from which a fountain flows. The building has similar floors, marked by enormous windows framed in granite, whose upper line follows the triangular pediment that, in line with the roofs, marks the main entrance and finishes off the balustrade.

A açorda à alentejana é uma sopa típica alentejana que, ao contrário da maioria das sopas, não é cozinhada. A receita de açorda não é universal, uma vez que é muito influenciada pela mudança das estações e varia consoante a região onde é confecionada. A composição base da açorda é o alho, sal grosso, azeite, água em ebulição e pão cortado em fatias, acrescentada de ervas aromáticas como os coentros ou os poejos. São geralmente acompanhados com ovos escalfados (também podem ser cozidos) e azeitonas. Pode ser servida com peixe fresco (cozido ou frito), bacalhau ou ovo (escalfado ou cozido). …