A bronze statue, over a marble base, paying homage to Gonçalo Mendes da Maia “O Lidador”, hero of the foundation of the nationality, whose first king of Portugal, D. Afonso Henriques, nominated his “Adeantado”. The statue is by the sculptor Lima de Carvalho.

Church with Baroque and Rococo influences. Features single ship with chorus-high and chancel. The Bell Tower's cupola for the classroom and within any decor is enlivened by the retabulística. The Rococo arises in ashlars of tiles and stucco notes with shell motifs, pay phones and bat wings.

18th century building in which stand out the Windows of the entrance pediment and apron. Access portal to the courtyard there is a shield painted that deserves special attention.

Baroque chapel of plant mass and simple rectangular with gable roof coverage. The main façade is torn by an arched portal down with cornice and a niche with imaginary.

A mannerist chapel with a simple longitudinal plan where the decorative detail in the entablature's frieze above the portal stands out and, on the inside, a painting of the 18th century.

Among the remnants of this ancient convent, its ruined portal is the most important element. It's a broken archway, of religious architecture, having belonged to the Franciscans and the Templars.

This temple features Mannerist, Baroque, and Neoclassical architecture. The side and collateral altarpieces, portal, and bell tower feature Baroque features, and the main altarpiece is Neoclassical.

Church fenced by an andiron in iron, presenting a side door Windows on the right side and a small window on the main portal. At the top, stands a small cross.

A three-nave Romanesque temple with a foundation associated with Egas Moniz. The façade features a portal with two archivolts, topped by an oculus, and a quadrangular bell tower.

The main façade of this building is torn by a downed arc portal, crowned in curved cornice. Also features a three-Bell records, with a clock on one of them.