Church rebuilt between the 15th and 16th centuries on the site of a primitive existed temple built in 1255. The Manueline sculpture and portal for the plateresca sculpture of the font.

Rectangular house with two floors, composed by the housing area and the chapel. It was built in 1783 by Canon Dr. Francisco Gonçalves. In the Chapel, there is a portal with cropped frame.

A three-nave church featuring Romanesque columns, arches, and capitals. It underwent significant alterations in the 18th century, with the replacement of the original Romanesque portal and apse.

This Romanesque church, modified in the 18th century, is in excellent condition. The side portal is Romanesque, with two archivolts, capitals, and abaci ornamented with phytomorphic and zoomorphic elements.

Pombal Palace of rectangular plan with two floors, with still about coverage, dormers. The main façade is very simple, with only the round arch portal.

Church of Baroque architecture of longitudinal plant and ship only. Has Bell Tower with great height in relation to the Church and a large churchyard, with decorated portal.

Parish Church of longitudinal plan with nave and rectangular chancel and Bell Tower of quadrangular. Emphasis on the altars in Renaissance and Baroque gilded and lateral Manueline portal.

Seventeenth-century chapel which originally belonged to a group of buildings of the Oratory of Saint Catherine, designed by Fr. Andrew of San Bernardino. The façade has straighter Dick portal surmounted by high window of appliance rusticated and finished in triangular pediment and a small bell. Inside, the gilded altars, a pulpit from the 17th century, and a few pieces of eighteenth-century imaginary.

Chapel dating from the 16TH century or 17TH CENTURY, with a main facade gable is terminated, at the top, with an ornate Bell with a small cross. Also features a straight Dick portal, flanked by a gap where a niche that houses a sculpture of Santa Ana, San Joaquin and our Lady Girl. Inside stands a gilded altarpiece, framed by two Solomonic columns.

The primitive foundation of the Church of Saint Pedro dates back to the 17th-18th centuries and has three naves with with an arch that stood on columns. Totally destroyed by the earthquake of 1755, only vestiges of the old portal on the facade remain. A special not to the high altar with a magnificent golden carved baroque retable and a painting that represents Saint Peter receiving the Heaven's Keys from Jesus.