This statue was built to pay tribute to respected Portuguese magistrate José Estevão. Made in 1886 by Simões de Almeida, it is one of the best examples of the XIX century statuary. It was opened in 1889.

This monument, which intends to pay homage to the municipality of Oliveira de Frades, has a black marble base, with a kind of "black iron" chimney and a sort of "Village door" in granite and iron.

Large restaurant to pay tribute to the rich Italian gastronomy, with emphasis on the delicious pizzas. From the hands of chef Ricardo Santos are also good dishes of meat, fish, pasta and seafood.

It is considered the most beautiful street in the centre of Porto. It was opened in 1521 by King Dom Manuel I, was then called Rua de Santa Catarina das Flores and was the main road that connected the upper part of the city with the riverside area. Whoever enters this street notices the difference with the other streets. It has a nineteenth-century, bourgeois aspect, surrounded by typical two and three-storey buildings, with characteristic windows and iron balconies. On the ground floor are the shops and on the upper floors the merchants and their families live. It was the street …

Part of ravelin, tunnel-shaped coleante, the time of Dom Manuel I, who stressed the safety of the door of the village. Have the shield, in marble, this King, flanked by armilares balls.

Statue erected in tribute to the dead in World War I, a soldier wielding a rifle and, on top, a woman holding a sword. It lies in the Centre of a small roundabout, surrounded by a garden with flowers.

Overlooking the Hill of Santa Luzia, this space is integrated in the Hotel Flor de Sal. Ideal for moments of relaxation, take some time to relax in the SPA, take a dip in the pool or relax in the jacuzzi, dynamic. The building features two swimming pools, jacuzzi, Turkish bath, sauna with aromatherapy and Thalassotherapy bath. Can still get hot stone massages and facial treatments and body.

Built on the occasion of the Portuguese World Exhibition, the ostentatious Padrão, a work by Leopoldo de Almeida, rests on a compass rose and its design in the form of a caravel is imaginative. Inside the monument, an elevator goes up to the sixth floor, where you have access to a terrace from which you can get a fantastic panorama of the Tagus River and Belém. The attics house temporary exhibitions.

Of the Romanesque construction of this important monastic church, first by the Canons Regular and later by the Dominicans, we can only point out the structure of the chancel, where the rose window stands out. All the rest of the monastic set, valuable for its artistic capital and for its local and regional influence, is the work of the Modern Period. We highlight the Baroque interventions that reveal a period of space revitalization in the 17th and 18th centuries.

Baroque chapel with a single nave, a chancel and a vestry located near foursquare, with gable roof coverage. It was built in the second half of the 18th century, as confirming the date entered in a window-1780. Featured on the frontispiece for a Bell bow.