Private chapel integrated in a palatial house, dating from the early 18TH century. Inside of a single nave, surrounded by a painted wooden baseboard. The lining of the walls is done with divided by pilasters painted murals and worked in relief. The vaulted ceiling, is covered with painted canvas. To highlight the main altarpiece with a neoclassical painted Panel.

This chapel, dated from the 18th century, was raised on a granite monticule with a spiral ramp and traditional Portuguese pavement. Here died, in 1038, Dom Gonçalo Trastamires. A procession in honour of Saint Ovídio takes place every ear on the last Sunday of August, at the belvedere over the small town of Castelo da Maia.

Twenty minutes away from Lisbon, this 18 holes court has a cafe and a terrace. It is a Course Par 72, planned by the architect Donald Steel. The members have several facilities available, namely an academy with professional lesons and a Club House where one may rest and have a drink after a course.

New cultural space in the city, situated on the banks of the river Nabão. Its name derives from the ancient measures of ability, the bushel and almude, time, currently designated as "cubes". Some of the services available are: cultural animation Division services, monitoring and environmental interpretation Center, senior University and space for exhibitions and training.

The building's main portal is topped by a triangular pediment and surmounted by an oculus flanked by two crevices. The interior features three naves, divided by arches and supported by Tuscan columns. The chancel features a ribbed vault with smooth quoins. Particularly noteworthy are the 17th-century carvings on the altars and the tile covering from the same period.

Built in 1719, this church was rebuilt in the mid-19th century. The facade features a portal flanked by two bell towers and a sculpture of Saint Michael. Access to the church is via a staircase made up of several baselines with intermediate levels. Of particular note are the baroque gilded altarpieces and in particular the main altarpiece, from 1731.

Romanesque temple built in the 12th century. On the front it has an ornate arch, supported by double columns and capitals. The decoration of the capitals deserves to be highlighted. The main facade is a short distance from the rock mass and was placed in the direction of the slope. Animal designs on the axial portal that signify the guard of the entrance to the temples and their sacred interior.

Tumulus barely visible in the landscape, located a few meters from the road which connects Pitons to Tourém, belonging to the Megalithic Necropolis of the Mourela plateau. Presents between 15 and 16 meters in maximum diameter, a very sharp central depression, where there is a great mainstay, not being visible remains of lytic Cuirass.

Tumulus with about ten meters in diameter, located about thirty meters from the town of crane, right next to the path that connects to the same. Features remains of lytic and a breastplate "tumuli" reasonably visible, a result of the great depression. The Chamber there are four mainstays that outcrop at the surface, some of them to about half a meter.

This Romanic church maintains the corbels around the building. On the main façade a portico stands out topped by a round window and on the posterior façade, there is a niche all in worked stone where it is possible to admire a sculpture from the Patron Saint in Ançã stone. The inside has one only nave with painted coffers on the ceiling.