These hot springs are set in a setting of great natural beauty, in addition to their historic surroundings. Dating back to Roman times, these hot springs are steeped in history. For example, in 1169, Dom Afonso Henriques sought relief from his ailments in the ancient springs of Lafões. Over the centuries, other important figures have resorted to the hot springs, including the last Queen, Dona Amélia. Rheumatic, respiratory, musculoskeletal, and blood diseases are treated here.

Located in the historic area of Castelo Branco, this museum dedicated to the work and life of the artist Manuel Cargaleiro includes two buildings that complement each other. One is Solar dos Cavaleiros, an 18th-century palace, and the other is a contemporary building, inaugurated in 2005. Visitors can appreciate a remarkable set of works part of the Manuel Cargaleiro Foundation collection, which includes works ranging from painting to ceramics, including sculpture, tiles and tapestry.

The museum of religious art is located in the hermitage of São Sebastião. This hermitage was originally built in the 16th century and went through an important architectural renewal in the first half of the 18th century. The museum has an important collection from the churches of the parish of Albufeira. Among the exhibited works, a special note to the polychrome retable of the second half of the 18th century, where we can see three images: Saint Sebastião, Saint Francisco Xavier and Saint Domingos.

Resort of 43 modern and well equiped apartments. Located in a quiet area, near the golf greens and about 900 meters from the beach. It has an open air swimming pool with a snack-bar. There are 20 T1 apartments (3/4 people), 11 T2 apartments (2/6 people) and 12 T2 duplex partments (2/6 people), all with a bathroom, restroom, a convertible settee, satelite TV, telephone, safe and kitchen.

Mannerist parish church. Presents longitudinal plant composed of ship alpendrada and chancel and vestry and belfry adossados to side front left and right, respectively. The altarpieces are carved polychrome, which extend through the triumphal arch, the national Baroque style. The building also features vestments in masonry, except the chancel and the main façade. The interior shows intense painting on wood decor and talha and the toppings in caissons are hagiographic theme and scenes from the life of Christ.

Built in the 16th century in the place of a hermitage where the sailors went to pray, it was deeply modified after the earthquake of 1755. The main chapel is decorated with a panel of the end of the 17th century, which belongs to the experimental baroque epoch. A stone image of Nossa Senhora da Esperança and yet another image of Santa Ana, credited to the sculptor Machade de Castro, ar part of this church's assets, that also includes paintings and images from several convents.

A Mannerist building, rebuilt in the 18th century. The interior walls are covered in 17th-century blue and white tiles depicting scenes from the life of the Virgin Mary. At the back of the church is a eucalyptus grove that ends in a fountain, the Fonte da Senhora or Fonte Santa, where, according to legend, Our Lady of Atalaia appeared. The traditional symbolic "Lavagens" are still held there today during the parish's main pilgrimage, which takes place on the last Sunday in August.

Built between 1570 and 1646, it has a tripartite main façade with embedded pilasters. The central part features a wide round arch forming a narthex, surmounted by three windows with three pediments. On the sides, two strong bell towers covered by domes are visible. Inside, with three naves, the silver liturgical objects and vestments woven and embroidered with gold from the 16th century stand out. It is also known as the Church of Our Lady of Expectation.

About 30 metres from the main estradão and along the access path that connects to the chapel of Senhora da Livração, a tea, is a megalithic burial monument whose tumuli is relatively high. Has at least 13 meters in diameter and about 1.5 meters high, is fairly revolved; features deep depression and identifies any central mainstay. Near this monument identifies what could be another, is fully covered with stones, which made it impossible to confirm.

Built between 1383 and 1410, it is a reference of the Gothic monumentality of the city, with an emphasis on the Romanesque portal with three arched gateways, the rosette symbolizing the Rosa Fortunae, the windows of the Manueline period and the three naves where the interior is divided, covered with gilded carving from the 17th and 18th centuries. It belonged to the Convent of the Observant Franciscans. The interior, of three naves, is highlighted by the 17th / 18th centuries carvings, frescoes and board in the main chapel, transept and sixteenth-century tombs.