Crossroads cruise probably built in the 15th or 16th century, dating back to the 19TH century shrine. The cruise consists of a pedestal box, a circular shaft, a spherical capital and a Latin cross. The shrines have a range from downed arch flanked by Tuscan pilasters, with cornice topped by a shell where you see a panel of Christ crucified.

A large building of 1864 where the CP (train company) main ateliers function. Until 1933 it was the main river station of the CP, where the trains arrived and from here the connection by sailsboat to Lisbon was made. It has an imposing main façade, an old clock and a plaque that shows its construction date. It is currently a hangar where the trains are repaired.

It was in the course of an urban reorganization process, in the late 18th century that these Steps were built by the military engineer José Álvares de Barros. Inside you can see a brutal white marble staircase and black, plus rooms with ceilings painted. The tiles from the Factory Widow Lamego representative of the battle of Montes Claros is 20TH century.

This beautiful house is placed on a street known for its characteristic architectonic harmony. Here are represented the XVII, XVIII and XIX centuries, with a nice show of the Porto’s architectonic atmosphere. On this building, the façade covered with azulejos panels from the second half of the XVII century stands out. This azulejos (tiles), made in Lisbon, describe episodes of the Holy Mary’s life.

Building covered with tile panels from the Fonte Nova Factory (1916), which reproduce information on the main monuments of the region and the country. They have an exceptional quality, not only for their artistic quality but also for their informative and pedagogical quality. It dates back to the 19th century and, despite its modernist style, follows the typology of the so-called "Portuguese House".

This temple was reconstructed on the 16th century presenting a on the main façade a doorway with manueline and renaissance decoration topped by a royal escutcheon. The inside has three naves and the central nave roof is with a wooden tunnel vault and the lateral ones are crossed. It stands out the coverage from the 16th, 17th, 18th centuries glazed tiles and a fifteen hundreds grave.

This church possesses a Romanic doorway with simple archivolts. The façade with a pyramidal tower and spire is the outcome from following changes. It only has one nave, three lateral altars and two collaterals that show gothic and renaissance interventions. One of the chapels founded in 1596 has a decorated arch with winged heads and a niche that includes a fifteen hundreds sculpture.

The temple was built in the 13th and 14th centuries and renovated in the 18th century, still preserving its Baroque façade and two bell towers from that period. Notable features include the statuary and some paintings, the coffered ceiling with painted figures of saints, the 17th-century tiles, and the tombstones. During the third French invasion, it served as a field hospital for the English.

This church has a Romanic structure that through the time it underwent several transformations. It still maintains the corbel and two rose windows on the façades. It presents on covered porch connecting the main façade to the campanile. On the inside it has a nave and the cross arch settled on columns with worked capitals from the primitive period. It stands out the main chapel with carving altarpieces.

Built at the end of the XVII century, on the place where a chapel devoted to Santo António used to be, the Congregados church has a sober façade decorated, in the XX century, with azulejos (tiles) by Jorge Colaço. At the walls you can see mural paintings by Acácio Lino, representing scenes from Santo António life, work done in 1927.